Answer: that Native American arts take often reflects the social organization of the cultures involved. Political and military societies seem to have found their major art forms in the world of weaponry, regalia, and panoply. This is most pronounced in the Plains, Aztec, and Inca civilizations, all of which reflect the dominant warrior culture in their arts.
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Credited with uniting average citizens and political leaders behind the idea of independence, “Common Sense” played a remarkable role in transforming a colonial squabble into the American Revolution. At the time Paine wrote “Common Sense,” most colonists considered themselves to be aggrieved Britons.
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Thomas Jefferson believed that if it cut off its exports of various goods, Britain and France might respect their rights during the time of war. However, it cut off trade between Britain and France, and a number of people lost their jobs.
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Thomas Jefferson was an American statesman, lawyer, diplomat, architect, and Founding Father. He was the third president of the United States during the period 1801 - 1809.
Thomas Jefferson believed that if it cut off its exports of various goods, Britain and France might respect their rights during the time of war. However, it cut off trade between Britain and France, and a number of people lost their jobs.
The answer to question is A the sixth century.
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Gladiatorial contests, like chariot races, were originally held in large open spaces with temporary seating; there is evidence that some munera were held in the Roman Forum, for example. As the games became more frequent and popular, there was need for a larger and more permanent structure. Although the Circus Maximus was often pressed into service because of its huge seating capacity, the Romans eventually designed a building specifically for this type of spectacle (called an amphitheatrum because the seating extended all the way around the oval or elliptical performance area, which was covered with sand, harena). Early amphitheaters, both in Rome and elsewhere, were built of wood, but stone amphitheaters proved to be much more durable; the oldest stone amphitheater, built in Pompeii in the first century CE and seating approximately 20,000, is still well preserved (see also this view through an archway on the upper level, a section of stone seats with staircase, and the exterior walls with stairway). Like Roman theaters, amphitheaters were freestanding; because they did not require natural hills, as Greek theaters did, they could be built anywhere. A remarkable painting from a house in Pompeii depicts the amphitheater. In the tree-shaded area in front, vendors have set up temporary shops to sell food and drinks; the exercise-ground to the right was equipped with a large latrine so spectators could relieve themselves. This fresco depicts a specific event that took place in 59 CE, when a fight erupted between the Pompeians and the neighboring Nucerians (much like modern soccer brawls); in punishment for the riot, Nero imposed a ten-year ban on gladiatorial fights in the amphitheater.
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