The answer to this problem is the letter D which is referring to "ending the legal status of slavery". It was Randolph in the year 1963 who never stopped and who is the constant critic of discriminators against black. It was then realized the contributions of black workers in the economy and drew riot by black.
After a country loses a war it would be logical that to keep citizens’ enthusiasm up, it would be required to disinform the citizens for them to continue working hard and not revolting. Unfortunately disinforming citizens wasn’t the only tactic governments like Germany used to counter loss of enthusiasm upon their citizens. Arresting protestors, propaganda, abusive police powers, and censorship were also tactics Germany used to combat loss of enthusiasm. Examples of propaganda Germany publicized were normally pictures with resilient soldiers saying things like “we’re almost there” and other phrases to keep citizens' hopes up and even enlist to go to war.
The Treaty of Versailles was created after WWI to get things even with all countries affected by the war. This left Germany in a very bad position considering all the debts they had to pay to the other countries they hurt. With this high debt and lingering guilt, it left Germany with anger worthy of starting another war. Germany ended up disinforming their population and deluding their population into thinking it was the fault of minorities like Jews that caused the mishaps of war.
Haha did the dirty deed
hope it helps :):):)
The number 3 is everywhere in Dante Alighieri's Divine Comedy<span>. For one thing, the poem itself is structured according to the rhyme scheme terza rima, which uses stanzas of three lines that employ interlocking rhymes (aba bcb cdc, etc.). Additionally, there are nine circles of Hell (three multiplied by three), Satan has three faces, and three beasts (a lion, a leopard, and a wolf) threaten Dante at the beginning of the Inferno. There are many more examples of three, but the overall important thing to understand is that the number three largely governs the structure of Dante's poem. Indeed, you can think of the number three as the scaffolding on which the rest of the poem's content is hung. This number is significant because three is a central number in the Judaeo-Christian tradition, especially in terms of the Trinity (Father, Son, and Holy Spirit). As such, just as the whole of the Christian world is governed by a three-in-one God, Dante's poem is governed by the number three. Thus, Dante's obsession with the number three mirrors the prevalence of three in the Christian tradition. </span><span />
