<span>“Contemporary performance is hybrid work that integrates text, dance, objects, music, costumes, lighting, image, sound, sets, and vocal expression into complex interactive systems. Contemporary performance names a body of work that builds on an aesthetic history beginning in the 1880s with Alfred Jarry and early Dada experiments and unfolds through into the American avant-garde and Performance Art of the 1980s. Contemporary performance collages are often non-narrative, technically rigorous, and carefully orchestrated anarchic chaos. They unsettle perception, demand critical engagement from audiences, address conceptual debates within aesthetics, draw on a diverse range of cultural interests, and bring pleasure to populations across the globe.” - Morgan v. P. Pecelli at lostnotebook.com</span>
Answer:
a. Terraced dynamics
Explanation:
Terraced dynamics, a unique characteristic of Baroque music, has to do with a quick alteration in tempo or volume that does not involves a progressive crescendos and decrescendos. The harpsichord, the basic keyboard tool of the era, could majorly perform forte (loud) or piano (soft) only, and couldn't perform crescendo or decrescendo in between, and thus results in a quick shift in dynamics. It is a specific character of music that represents it's success.
In some cases, they were highlighted in the score, but a large sort of area, it was agreed upon mostly by the performers or were directed by conventions which was fully expressed to all musicians.
5500 degrees, I hope this helps you!