Renaissance period was around the (1400-1600) In years. So way, way back. However the most influential composers were most likely
1.Bach
2.Mozart
3.Handel
4.Chopin
5.Beethoven
6.Tchaikovsky
7.Brahms
8.Schubert
9.Liszt
10.Rachmaninoff
11.Debussy
12.Mahler
13.Wagner
14.Stravinsky
15.Mendelssohn
16.Copland
17.Shostakovich
18.Puccini
19.Haydn
20.Dvorak
21.Vivaldi
22.Albeniz
23.Bernstein
24.Gershwin
25.Schumann
26.Ravel
27.Prokofiev
28.Verdi
29.Britten
30.Schoenberg
31.Strauss
32.Bartok
33.Paganini
34.Sibelius
35.Purcell
36.Elgar.
37.Korsakov
38.Grieg
39.<span>Khachaturian
40.</span><span>Mussorgsky
41.</span><span>Bizet
42.</span><span>Berlioz
43.</span><span>Monteverdi
44.</span><span>Rossini
45.</span><span>Corelli
46.</span><span>Borodin
47.</span><span>Ralph Vaughan Williams
48.</span><span>Bruckner
49.</span><span>Heitor Villa-Lobos
50.</span><span>Scriabin
51.</span><span>Camille Saint-Saëns
These were the most influential during the 1400's to 1600's, and even further towards 1800's Hope this helps have a great day!</span>
Answer:
Gatekeeper
Explanation:
Gatekeeping model is the notion of having individuals who control the movement of information; they are referred to as gatekeepers.
Gatekeeping model was initial we up in the 1940s and gatekeepers of news media. Gatekeepers determines which stories will be published (as duly observed in our case study of Irenka), a major duty that cannot be neglected mostly in news media organizations. To an extent it is belived that gatekeepers can regulate to some points what people think and believe.
Gatekeepers at expected not to be bias in evaluating newsworthiness. This model is also used by those who framed information.
Gatekeepers determines what tweets, media expresses for, public announcements. And determine what information to be declared public and how the information is developed or structured. In a nut shell, they are in charge of the type of public information their organizations stands for.
Hope this helps!
P.S. You can mark it Brainliest.
A short interlocking fiber strands
c. the use of light and dark for contrast