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GrogVix [38]
4 years ago
5

Cite some examples of figurative language in “The Passionate Shepherd to His Love” or “The Nymph’s Reply to the Shepherd” and ex

plain the effect(s) of that figurative language. Your answer should be at least 250 words.
English
1 answer:
Ann [662]4 years ago
5 0

Love in the May countryside will be like a return to the Garden of Eden.  There is a tradition that our problems are caused by having too many restrictions, by society.  If we could get away from these rules, we could return to a prisitine condition of happiness.  The "free love" movement of the 1960's was a recent manifestation of this utopian belief.  If the nymph would go a-maying with the shepherd, they would have a perfect life.

Raleigh argues that it is not society that taints sexual love.  We are already tainted before we enter society.  Releigh combines carpe diem with tempus fugit in an unusual way.  Normally we should sieze the day because time flies.  Raleigh argues that because time flies, we should NOT sieze the day.  

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Explanation:

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Minuk, the narrator, is 12 the spring that the missionary family arrives, and like the other children she is fascinated by the sight of her first kass'aq (white) woman and child. She can't imagine what the "sort of pink butterfly" hanging from the clothesline is (a corset, which astonishes her still further), and when Mrs. Hoff invites her inside for a cup of tea, she sits on a chair for the first time (and tips hers over) and slurps loudly, "to be polite." These initial misunderstandings may be comic, but the encounters between the Hoffs and the Yup'ik have grave consequences. Mr. and Mrs. Hoff condemn the villagers' rituals and practices. Yet, as seen through Minuk's eyes, the customs make sense, and Hill demonstrates that the Yup'ik belief systems are at least as coherent as Hoffs' version of Christianity ("If your god is love," Minuk asks Mr. Hoff, "why does he make people burn in hell?"). The author penetrates Yup'ik culture to such an extent that readers are likely to find the Hoffs more foreign than Minuk and her family. At the same time, the author doesn't glamorize the villagers, in particular exposing the severe conditions facing women. Not only the heroine but the vanished society here feel alive in their complexities. Ages 9-12. (Oct.)

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