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I'm not sure what you are asking, however; anyone who has lived through the industrial revolution has been affected in multiple ways, the industrial revolution was what caused a increase in population because it was better living conditions.
Allthough i cannot see the picture, romanticism in the 19th century was mostly based on the french revolution, so i would picture it being about bloodshed, murder, or liberty
The sentences that use commas correctly is A) Volcanoes spew molten rock and, mostly exist along the Pacific Rim.
The correct answer is <span>D)Black Power and Red Power
The Black power movement thrived in the 1960s and 1970s and was an organization that encouraged African-American people to join the fight for equality. They fought for black self-determination and wanted to create african-american cultural and legal institutions that would promote African-American people and their culture
The Red power movement was similar but it was designed for Native Americans. They also thrived in that era and were all about ensuring equality was won for Native Americans who had numerous problems in everyday life such as extremely high poverty and alcoholism in the reservations, or lack of economic opportunities.</span>
Answer:
Irrespective of its genuine strategic objectives or its complex historical consequences, the campaign in Palestine during the first world war was seen by the British government as an invaluable exercise in propaganda. Keen to capitalize on the romantic appeal of victory in the Holy Land, British propagandists repeatedly alluded to Richard Coeur de Lion's failure to win Jerusalem, thus generating the widely disseminated image of the 1917-18 Palestine campaign as the 'Last' or the 'New' Crusade. This representation, in turn, with its anti-Moslem overtones, introduced complicated problems for the British propaganda apparatus, to the point (demonstrated here through an array of official documentation, press accounts and popular works) of becoming enmeshed in a hopeless web of contradictory directives. This article argues that the ambiguity underlying the representation of the Palestine campaign in British wartime propaganda was not a coincidence, but rather an inevitable result of the complex, often incompatible, historical and religious images associated with this particular front. By exploring the cultural currency of the Crusading motif and its multiple significations, the article suggests that the almost instinctive evocation of the Crusade in this context exposed inherent faultlines and tensions which normally remained obscured within the self-assured ethos of imperial order. This applied not only to the relationship between Britain and its Moslem subjects abroad, but also to rifts within metropolitan British society, where the resonance of the Crusading theme depended on class position, thus vitiating its projected propagandistic effects even among the British soldiers themselves.
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