Answer: The children’s host in Chesham still cared about them after they left.
Explanation:
The passage is derived from the "Children of the Wartime Evacuation” and refers to a story about siblings, Sheila Shear and her sister who were evacuated during the Second World War to Cheshem and placed in the care of Harry Mayo.
Even though he was Christian and they were Jewish, he cared for them so deeply that they kept visiting after the war and Sheila and her mother even attended his funeral.
Perhaps the most evidence of his care was by his own admission when, after his death, his lawyer sent the siblings a cheque with a note saying, "A very small token of my very GREAT AFFECTION."
Deep, cuz shallow is like a tiny pool and deep is, well deep
Edgar Allan Poe used literary devices to make the readers feel like the
setting, people and emotions in the story seem like real.
3. The
characters are described on how their characteristic changed because of
problems and how they act on it to solve the problem.
4. Poe is a
writer in the Romantic era and most of his works deal with intuition and
emotion. The subject matter of art should deal with the emotions, and
the greatest art was that which had a direct effect on the emotions. So,
the audience are expected to have an emotional connection to the
story.
Answer:
Lady Bracknell says her maid is trustworthy but has to bribe her to get help.
Lady Bracknell says it is wrong to be honest with her husband.
The names of the college and class seem reasonable to Gwendolen’s father.
Explanation:
The three statements above are a representation of sharp critique of Victorian society present in the book 'The Importance of Being Earnest.'
The first statement reveals <u>how deep the corruption of people runs where bribing a person who is considered trustworthy</u> is standard practice.
The second statement says <u>the truth about much coveted Victorian family values </u>in which the Lady willfully is not honest with her husband.
The names of the college and Course<u> are absurd to the point of utilitarian extremity of Victorian thought.</u>
Taking the ice cream cone after buying it
