The lines that describe the decline and fall of the city are the following:
- These wall-stones are wondrous — calamities crumpled them, these city-sites crashed, the work of giants corrupted.
- The roofs have rushed to earth, towers in ruins.
- The halls of the city once were bright: there were many bath-houses, a lofty treasury of peaked roofs, many troop-roads, many mead-halls filled with human-joys until that terrible chance changed all that.
- Days of misfortune arrived—blows fell broadly—
death seized all those sword-stout men—their idol-fanes were laid waste —the city-steads perished.
- This place has sunk into ruin, been broken into heaps,
Answer:
A
Explanation:
With a look of asperity, the teacher silenced the rowdy boys.
<u>Answer:</u>
The King of Calydon contributes to the central conflict in "Atalanta: the Fleet-Footed Huntress" when he encourages Atalanta to sew with the women instead of hunt; this puts Atalanta at odds with the expectations of society. So, the correct answer option is Option C.
<u>Explanation:</u>
The central conflict is the gender conflict and behaviour found in "Atalanta: the Fleet-Footed Huntress." It is through the character of the king that the story shows the prejudice men have towards Atalanta or women in general. When he suggests Atalanta to sew with other women instead of hunting reflects the thought of men towards women. Also, the importance of behaving properly is highlighted irrespective of gender. When the king asks Atalanta to sew he not only demeaned her but also showed himself as a person who thinks gender is superior to behaviour.
False, it isn't that because alliteration doesn't mean that.
Mercutio agrees, saying that dreams “are the children of an idle brain” . Mercutio seems to be saying that dreams are like illusions meant to tempt men's souls but fall apart when he wakes. There is some pretty strong intensity here.
