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Robert would be good at volunteering at an animal shelter because he is confident and caring.
Explanation:
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Answer:
1. Both of these depict the consumption of pride as a story. The hidden lesson of these stories is that if you don't learn to be humble and assert yourself, you will burn in the sun if you fly too close to it. In Ovid's story, pride causes loss. In the story, Daedalus builds wings for himself and his son and then loses his son when he flies too high and dies. Both Ovid's story and Brueghel's painting deal with human pride. In Ovid's story, pride and arrogance are weak shields. It may have far-reaching consequences. It was with great pride that Daedalus created wings for himself and his son, but his pride was dashed when he discovered his son dead from too high a flight. Brueghel's painting, however, depicts a different kind. It shows people think their suffering matters because they feel important in this world. Unlike in his painting, Icarus' drowning body is barely visible. This represents the value of one person in this world. You are a speck in the grand scheme of things. After they died, the world went on as usual. So, Brueghel's new idea in Ovid's story is people's indifference to others' suffering.
2. Brueghel's Landscape with the Fall of Icarus emphasizes that our individual suffering is insignificant in comparison to the entire world, as a single individual is only a grain of sand in comparison to the entire world. The viewer can form his or her own opinion. A powerful vocabulary includes "suffering", "martyrdom", "disaster" and "forsaken". Many readers will agree that they share many ideas.
Second, "Landscape with the Fall of Icarus" is about indifference. The poet uses the mythological character Icarus to discuss human indifference. It was spring and a farmer was plowing his field when Icarus fell.
The painting depicts a tiny splash of Icarus falling into the ocean, which we know from the title of the work. The rest of the scene is calm and quiet as if nothing happened. It seems to grieve at the idea that our individual suffering isn't more important in Auden's poem.
3. William Carlos Williams' poem "Landscape with the Fall of Icarus" focuses on the fact that if it doesn't happen to me, I don't care. Even if an event is significant in the eyes of future generations, it may go unnoticed if it has no immediate impact. It's not surprising that two poets have addressed this issue, but their portrayals of the drama differ slightly. However, in Pieter Brueghel's Landscape with the Fall of Icarus, the person in front is wearing long sleeves, which does not emphasize spring. When Icarus fell from the sky in the poem “Landscape with the Fall of Icarus,” a farmer was plowing his field. Also, the painting depicts ships and sheep, but William Carlos Williams' poem “Landscape with the Fall of Icarus” does not.
4. Both W.H. Auden and William Carlos Williams describe Pieter Brueghel's painting "Landscape with The Fall of Icarus." Both poets describe the scene in detail. Both poets use imagery to describe the painting's scene.
But the poets differ in other ways:
- Auden presents his poem in free verse, with two long stanzas devoid of rhyme. The poem is divided into six stanzas, each with three lines.
- Auden's reflections on the painting's depiction of suffering and routine are more delicate and meditative. In the second stanza, he contemplates his psyche. Williams, on the other hand, is concise. He informs the reader and describes the painting with examples. He mentions Icarus from the first stanza but doesn't focus on how he or others felt at the time.
- Auden felt the painting and tells the reader about it. Williams is a snoop. He describes what he saw without revealing his inner feelings or thoughts.
IdeationalEnglishAdjective(-)Pertaining to the formation of ideas or thoughts of objects not immediately present to the senses.<span>* <span>1999 </span>, Joyce Crick, translating Sigmund Freud, <span>The Interpretation of Dreams </span>, Oxford 2008, p. 61:</span><span>An immoral dream would demonstrate nothing further of the dreamer's inner life than that he had at some time acquired knowledge of its <span>ideational </span>content , but certainly not that it revealed an impulse of his own psyche.</span>Derived terms* ideationally * ideational apraxis
Sensible
Adjective(en-adj)Perceptible by the senses.* Arbuthnot<span>Air is <span>sensible </span>to the touch by its motion.</span><span>* <span>1778 </span>, William Lewis, The New Dispensatory(page 91)</span><span>The <span>sensible </span>qualities of <span>argentina </span>promise no great virtue of this kind; for to the taste it discovers only a slight roughishness, from whence it may be presumed to be entitled to a place only among the milder corroborants.</span><span>* <span>1902 </span>, William James, <span>The Varieties of Religious Experience </span>, Folio Society 2008, page 45:</span><span>It has been vouchsafed, for example, to very few Christian believers to have had a<span>sensible </span>vision of their Saviour.</span>Easily perceived; appreciable.* Sir W. Temple<span>The disgrace was more <span>sensible </span>than the pain.</span>* Adam Smith<span>The discovery of the mines of America does not seem to have had any very sensibleeffect upon the prices of things in England.</span>(archaic) Able to feel or perceive.* Shakespeare<span>Would your cambric were <span>sensible </span>as your finger.</span>(archaic) Liable to external impression; easily affected; sensitive.<span>a <span>sensible </span>thermometer</span>* Shakespeare<span>with affection wondrous sensible</span>Of or pertaining to the senses; sensory.(archaic) Cognizant; having the perception of something; aware of something.* John Locke<span>He cannot think at any time, waking or sleeping, without being <span>sensible </span>of it.</span>* Addison<span>They are now <span>sensible </span>it would have been better to comply than to refuse.</span>Acting with or showing good sense; able to make good judgements based on reason.<span>* <span>2005 </span>, .</span><span>They ask questions of someone who thinks he's got something <span>sensible </span>to say on some matter when actually he hasn't.</span>Characterized more by usefulness or practicality than by fashionableness, especially of clothing.<span>* <span>1999 </span>, Neil Gaiman, <span>Stardust </span>(2001 Perennial Edition), page 8,</span><span>They would walk, on fair evenings, around the village, and discuss the theory of crop rotation, and the weather, and other such<span>sensible </span>matters.</span>Usage notes* "Sensible" describes the reasonable way in which a person may <span>think'' about things or ''do </span>things: *:<span>It wouldn't be <span>sensible </span>to start all over again now.</span>* "Sensitive" describes an emotional way in which a person may <span>react </span>to things: *: <span>He has always been a <span>sensitive </span>child. </span>*: <span>I didn’t realize she was so<span>sensitive </span>about her work.</span>Related terms* sense * sensory * sensual * sensuous * supersensible
