Yes. It is comparing something to something unrelated without using 'like'or 'as.'
<span>The atmosphere of a small town like Maycomb where everyone knows each other’s business makes people hide the “skeletons in their closets”. Everyone in Maycomb has a secret of some kind. Here are a few:
</span><span>Mr. Dolphus Raymond pretends to be an alcoholic so people of Maycomb have a way to explain why he has a black mistress and bi-racial children.
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<span>Mrs. Dubose hides her addiction to pain medication from the town. She is ashamed of her addiction, and vows to break it before she dies.
</span><span>Jem and Dill keep their adventures to see Boo Radley and invite him for ice cream from Atticus.</span>
Answer:
COol! glad you have so many good teachers
Facial expressions and speech balloons. Explanation: From the excerpt from Persepolis, the elements the author used most to develop the central idea of these panels was facial expressions and speech balloons.
Answer:
The correct answer is reflexive.
Explanation:
There are actually two pronouns in the sentence (you didn't italicize either one, unfortunately): <em>I </em>and <em>myself. I </em>is a personal pronoun, like <em>you, he/she/it, we, you, </em>and <em>they. </em>
On the other hand, the pronoun <em>myself </em>is <em>reflexive. </em>This means that the object of the sentence is the same as the subject. In the sentence above, the subject <em>I </em>is performing the action <em>respect </em>on the object <em>myself </em>who is the same person as the object.
<em>Relative pronouns </em>connect sentences: <em>who, which, whom</em>, etc. <em>Interrogative pronouns </em>are used in questions: <em>which, who</em>, etc. (but not to connect clauses). <em>Demonstrative pronouns </em>point to something: <em>that, this, those,</em> etc. For <em>indefinite pronouns, </em>we don't know who or what we're talking about: <em>somebody, whoever, whichever, </em>etc. <em>Intensive pronouns </em>looks the same as reflexive, however, they are only used for emphasis and can be omitted from the sentence without it losing its meaning.