The correct answer is LINE 1 ("Is it thy will, thy image should keep open"). That's the line that ends with an enjambment.
In poetry, an enjambment refers to the incomplete syntax at the end of a line. Think of it as a sentence that is broken up in the middle, you can't get the meaning of it until you go down to the next line and get the full sentence. <u>You can recognize enjambment by a lack of punctuation at the end of the line and the tension this creates</u>. Once you move along and read the next line, that tension is resolved. The word or phrase that completes the syntax is known as<em> "rejet"</em>.
In this case we have the line "Is it thy will, thy image should keep open", in which the syntax feels incomplete as we don't know what should be kept open, and it doesn't have punctuation at the end so it's clearly an enjambment. The next line begins with "my heavy eyelids",<u> which completes the syntax and resolves the tension and therefore represents the rejet.</u>
Hope this helps!
I agree with your answers. It’s the contrast of darkness and light that exposes the woman’s pure fear against the dark background
“Because I got you to look after me, and you got me to look after you, and that’s why”
B.) change "have" to "has"
Andrew Jackson's Message to Congress on 'Indian Removal' is clarifying his fervor and consolation in the way that the expulsion of Indian tribes from the United States was originating from a 'glad culmination.' He discusses how this is extremely advantageous to the prosperity of Americans and their nation. He talks externally; be that as it may, 'Samuel's Memory' demonstrates an altogether different point of view to this evacuation. Both stories are displaying a similar occasion, nonetheless, the dialect utilized makes an altogether different feel to it.
