Answer:
D
Explanation:
In this sentence, the beaches of the Florida Keys are white and pristine enough to have the same appearance as a snow-covered street up North at the same time of year.
The pavement of shells are not being compared to a row of palms, because those are both details found at the beach. The white sailboat is not being compared to the beach; it is only landing there. The Florida Keys themselves are not being compared to the northern streets. It is the beaches of the Florida Keys that are the object of comparison.
Answer:
A process in which plants and other organisms use the sun to synthesize foods from carbon dioxide and water.
Explanation: Easier answer to understand: when green plants use sunlight to make their own food.
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It can be used to reuse text and images.
The most courageous character in To Kill a Mockingbird to me is Jem. He was always the one that would take the dares to touch the Radley house, he was courageous enough to GO BACK to get his pants from the fence. When they were being chased by Bob Ewell, instead of booking it, he told Scout to run as he tried to handle Bob, A GROWN MAN.
Answer: Dulce et Decorum Est is by Wilfred Owen and is historical fiction. The title is significant as Dulce et Decorum Est (followed by pro patria mori) means that it is sweet and fitting to die for one's country. The title is ironic as the unlucky soul that dies to the gas attack does not die sweet or peacefully. It's just another day on the battlefields of World War I . As our speaker, another soldier on the battlefield, lets us know right away, however, "normal" isn't a word that has any meaning for the soldiers anymore. They're all mentally and physically ravaged by the exertions of battle.
And then it gets worse. Just as the men are heading home for the night, gas shells drop beside them. The soldiers scramble for their gas masks in a frantic attempt to save their own lives. Unfortunately, they don't all get to their masks in time. Our speaker watches as a member of his crew chokes and staggers in the toxic fumes, unable to save him from an excruciating certain death.
Now fast-forward. It's some time after the battle, but our speaker just can't get the sight of his dying comrade out of his head. The soldier's image is everywhere: in the speaker's thoughts, in his dreams, in his poetry. Worst of all, our speaker can't do anything to help the dying soldier.
Bitterly, the speaker finally addresses the people at home who rally around the youth of England, and urge them to fight for personal glory and national honor. He wonders how they can continue to call for war. If they could only witness the physical agony war creates – or even experience the emotional trauma that the speaker's going through now – the speaker thinks they might change their views. In the speaker's mind, there's noting glorious or honorable about death. Or, for that matter, war itself.
Explanation: 100% on it
