Altering the harmony underneath the theme are the examples of thematic development. So,the correct answer is option b.
What is Thematic development?
A leitmotif, or theme, is formed by the musical technique known as "thematic transformation," which involves modifying the theme through permutation, augmentation, diminution, and fragmentation.
Franz Liszt and Hector Berlioz were principally responsible for its creation. In essence, the technique is one of variation. In essence, the technique is one of variation. A core theme is repeated repeatedly throughout a musical work, although it constantly changes appearances and takes on several opposing functions.
The architectural function of the sonata form in the classical symphony was to achieve "unity among variety," and this theme will always serve that purpose. Thematic transformation can support the emotionally charged phrases, richly coloured melodies, and atmospheric harmonies used by Romantic composers, which makes a difference in this instance.
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Answer:
I would say most of his paintings were of women, women doing doing house work and interactions with others.
<span>Within some Muslim communities images of Muhammed have proliferated, while in other Muslim communities figurative art of any kind has been prohibited.;)</span>
The first thing presented is an eighth rest, thus being only half a beat.
The next one is a quarter note which is only one beat. The last note presented is an eighth note, which is also half of a beat, like the eighth rest.
Therefore, this measure can be counted depending on the number of beats. Two half beats and one whole beats makes two total beats.
Thus - under the notes should be the beats (1/2, 1, etc), and the time signature should be 2 over 4.
Hope this helps!
It is clear that the stage directions as the play opens present us with the way in which society oppresses humans and acts as a conformist power, making it very hard to hold onto dreams and to break free from its grasp. Note the way that Williams introduces the overall scene:
The Wingfield apparment is in the rear of the building, one of those vast hive-like conglomerations of cellular living-units that flower at warty growths in overcrowded urban centres of lower middle-class population and are symptomatic of the impulse of this largest and fundamentally enslaved section of American society to avoid fluidity and differentiation and to exist and function as one inerfused mass of automatism.
The setting is shown to deliberately inhibit individuality, preventing "fluidity and differentation," and to promote conformism in the "enslaved" people that live in this section of American society. In addition, let us add to this description the author's comment on the fire escape, whose name has a "touch of accidental poetic truth" in the way that all of the buildings like the one that the Wingfield's live in burn "with the slow and implacable fires of human desperation." It is clear, therefore, that issues such as individuality, dreams and the struggles that humans face to try and achieve them and the barriers that try and prevent them from bucking the trend and escaping the enforced conformity of this world are going to be big themes as the play opens and we are presented with a desperate world with desperate characters inhabiting it.
