Answer:
Halimbawa ng pangungusap na may pang-abay
ISANG ORAS akong naghintay sa pila.
Ang malalaking letra ang tinatawag na pang-abay at ang ginamit kong uri ay ang pang-abay na panggaano
Explanation:
Answer:
I've had a couple look at my account to get the money information from my old bank account and I 2 30th 3 31st 3 31st July so to be paid by my credit card so I can pay for my tickets credit cards for the assessment day to the 3rd I have to wait until they have a refund and for me the money will not be paid be paid in the next few months or two is fine due by to the game of your the mortgage other than weeks ago and the 3 will be 3 by your credit card and the difference is made by the credit card and it will is the same the same amount pattern as you will not be able help in taking any further steps from to me 3,500 3 30 and the credit deposit has been paid by credit cards card holders the
<span>Since he was in such a hurry, I told him to go on without me; however, he said he could wait, so we traveled together.</span>
1. First, Shakespeare wrote his plays in blank verse featuring iambic
pentameter because that was the style of the day. Think of it as a way
for an author to show off--and it really is quite impressive if one
thinks about it. There are very few authors who can create characters
and plots as rich as Shakespeare's and write their lines in a consistent
meter.
2. Secondly (I think that this might be what you are asking), when
Shakespeare's characters speak in verse (iambic pentameter), they are
usually the noble (aristocratic) characters, and their speech represents
their high culture and position in society. If you simply look at one
of Shakespeare's plays, you can often tell when the commoners are
speaking because their lines will go from margin to margin (this is
true, too, of nobles who are acting like commoners--whether they're
involved in evil schemes, losing their minds, or are drunk!). In
contrast, Shakespeare's other characters' lines should sound and look
different to you--they should sound "sing-songy" and should look like
poetry with uneven lengths.
A good example of this is from Othello. When Iago is speaking to his
peers or to those in position of authority over them, his speech is in
verse, but when he is plotting and talking to Roderigo (especially at
the play's beginning), his lines are not in iambic pentameter--this
represents the bawdy nature of his speech and, in truth, the baseness of
his character.
