it does not do it's job very well, because you should be able to see what time it is in the middle of the night.
Spoilers ahead, but then again, who isn't familiar with Casablanca, even if one hasn't seen it?
I've been watching 'Casablanca' over and over again since I bought the Special Edition DVD, and is there any film out there one can watch again and again without ever being tired of it? And does any film appeal to a broader audience? Just everything about it seems to be as close to perfection as it only can be.
But what exactly is so special about it? Is it its great genre mix, never equaled by another film? When we think of 'Casablanca' first, we remember it as a romantic film (well, most of us do). But then again, its also a drama involving terror, murder and flight. One can call it a character study, centering on Rick. And there are quite a few moments of comedic delight, just think of the pickpocket ("This place is full of vultures, vultures everywhere!") or the elderly couple on the last evening before their emigration to the US ("What watch?").
<span>But 'Casablanca' is not only great as a whole, it still stands on top if we break it apart and look at single lines of dialog, scenes or performances alone. Is there any other film which has more quotable dialog than 'Casablanca'? 'Pulp Fiction' is on my mind here, and 'All About Eve' and 'Sunset Blvd.' come close, too, but still I think 'Casablanca' tops everything else. And not only is the dialog great, it's unforgettably delivered, especially by Humphrey Bogart ("I was misinformed.") and Claude Rains ("I am shocked, shocked to find that gambling is going on here"). Many of scenes have become a part of film history; the duel of 'Die Yacht am Rein' and 'La Marseillaise' is probably one of the greatest scenes ever shot (the only I can think of that would rival it for the #1 spot is Wankel and the globe from Chaplin's 'The Great Dictator'), and the last scene is probably even familiar to the few people who've never seen 'Casablanca'. Am I the only one who is absolutely convinced that the film wouldn't have become what it is today if Rick and Elsa would have ended up as the lucky couple?</span><span />
Answer:
Yes
Explanation:
Adams helped found Group f/64, an association of photographers advocating "pure" photography that favored sharp focus and the use of the full tonal range of a photograph. With Fred Archer, he developed an exacting system of image-making called the Zone System, which described a method of achieving a desired final print through a deeply technical understanding of how tonal range is recorded and developed in exposure, negative development, and printing. The resulting clarity and depth of such images characterized his photography. Adams was a life-long advocate for environmental conservation, and his photographic practice was deeply entwined with this advocacy. At age 12, he was given his first camera during his first visit to Yosemite National Park. He developed his early photographic work as a member of the Sierra Club. He was later contracted with the U.S. Department of the Interior to make photographs of U.S. National Parks. For his work and his persistent advocacy, which helped expand the National Park system, he was awarded the Presidential Medal of Freedom in 1980.
Answer:
Minor
Second inversion
A
Explanation:
Both intervals of a root position triad are either major third or minor third.
The interval between the bottom note and middle is perfect fourth so it is not root position.
List the notes: E, A, C
Invert the triad to root position by moving the bottom note up an octave (rotate the letters as if they are in a circle) so that they are separated by only major or minor thirds.
A, C, E
The root is the first note of a root position triad. A
Identify what third the two intervals are.
A - C: Minor third
C - E: Major third
A triad with a minor third followed by a major third is a minor triad.
The number of inversions from a root position triad is the position of the original triad.
A, C, E
C, E, A
E, A, C
It took 2 inversions, so the triad is in second inversion.
you shouldn't eat any shark, swordfish or marlin. You should also limit your tuna intake to no more than two 140g tuna steaks or four 140g cans of tuna per week. This is because these fish are slow growing and may contain more mercury than other types of fish, which can affect your baby's developing nervous system
