According to Aristotle, both tragedy and epic are forms of imitation. Tragedy imitates directly by means of mimesis and epic both directly and indirectly by means of mimesis and diegesis. While epic imitates solely by means of words, tragedy also imitates by means of spectacle. Both epic and tragedy portray people better or greater than the average spectator, unlike comedy which portrays people as worse than they actually are and uses humour to dissuade us from acting badly (Aristotle's lost treatise on comedy may be summarized in the Tractatus Coislinianus; see also Eco, The Name of the Rose for interesting view of Aristotle on comedy)
Due to practical constraints of production, tragedy ideally has a single unified action which is often restricted to a specific time and place. and a small n umber of characters, while epic has a broader scope of coverage.
Slavic and Scandinavian countries are very rich in resources, and Russia wanted to control most trade in Europe until the collapse of the Soviet Union. More trade = More power and they were still recovering after the HARD losses when the Germans' invaded Leningrad and the war.
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The new technology that allowed the Allies to more effectively bomb the Japanese main land, was the capacity of the B-29. If we look at the other ones, we see that all that stuff already exist before the war.
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he was killed during the initial stages of the Spanish conquest of Mexico, when conquistador Hernán Cortés and his men fought to escape from the Aztec capital Tenochtitlan