When considering shifts, a writer should consider point of view, verb tense, mood and voice, and "Shifts from indirect to direct questions or quotations." (Option A).
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What is a shift in literature?</h3><h3>
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A shift refers to the alteration of writing style to provide variety to the reader.
Hence, it is right to state that when considering shifts, a writer should consider point of view, verb tense, mood and voice, and "Shifts from indirect to direct questions or quotations."
Learn more about shifts at;
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I believe it is a run-on sentence but i am not certain
Answer: Because they don't have five feet in the line or don't have an unstressed syllable followed by a stressed one like iambic pentameter requires.
Explanation: In poetry, an Iambic Pentameter is a metrical speech that has 5 feet on every line. A foot is a pair of syllables in which there is an unstressed syllable followed by a stressed one.
The lines "As wicked dew as e'er my mother brushed" and "With raven’s feather from unwholesome fen" follow the rules of iambic pentameter, while the line "Upon thy wicked dam, come forth!" has just four feet, and the line "Drop on you both! A southwest blow on ye" doesn't have the unstressed syllables at first.
Answer:
Stevenson is saying that when we take a bird’s-eye view, we see everything in a grand perspective. From there, much of what we humans do seems trivial or unimportant. We feel aloof from the rest of humanity, much as Apollo felt when he looked down on humans from atop Mount Olympus. Stevenson likens the man’s Apollo-like view to the pleasure he found in the northern Scottish landscape.
Stevenson used the allusion to Apollo to say that when we look at our experiences from a new perspective, we find unexpected pleasure and experience personal growth. He assumes his readers will be familiar with Apollo and the allusion to him will help them understand his new view of this landscape.
Explanation:
Hope I helped.
