Answer:
I think A sounds the most descriptive.
Answer:
Samuel most likely has audience anxiety
Reason:
If Samuel doesn’t normally have this issue any other time than its most likely not trait or context anxiety since he doesn’t really have a problem with public speaking. It’s also probably not situation anxiety which is where the person’s psychological reaction may be from it knowing the person or context.
The line from The Metamorphosis shows us that although Gregor has changed into an insect, he still has human thoughts and emotions. He can still think and feel like a human and appreciate the finer things in life, such as music, which would presumably be lost to him if he were solely an animal, especially an insect. So the line shows that although he has physically changed, mentally and emotionally he’s still a human.
Gregor’s role as a son and brother also undergoes a transformation along with his physical transformation. Prior to his transformation, his entire family is dependent on him and his job. However, after his transformation, he becomes dependent on other members of his family for his sustenance and survival. For example, in the initial days after his transformation, Grete feeds him, and he comes to depend on her for nourishment.
Gregor struggles with a number of identity issues in his new form. Although he has been transformed into an insect, he still has human feelings and sensations. However, being an insect, he cannot find a suitable outlet to express his feelings and emotions. The few instances in which he tries to reach out to other people or experience pleasure, as when he wants to hear Grete play the violin, he’s vehemently dismissed because of his repulsive form.
To survive and not getting in trouble and trying to find his way home
Mrs. Jones's behavior right after Roger tries to rob her in "Thank You, M'am" shows her to be the more superior and stronger of the two characters. In this case, <span>Mrs. Jones was outright disappointed by the crime and potrayed her defiance over the situation and the culprit</span>