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frez [133]
2 years ago
11

An expressed power is a power

History
1 answer:
prisoha [69]2 years ago
6 0
B is ur answer to the question
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What latitude was chosen as the dividing line between slave and free states?
maksim [4K]
36' 30 is the latitude that was chosen as the dividing line between slave and free states. 
5 0
3 years ago
What did Governor Maddox do as governor that is pretty shocking based on his stance on segregation?
Digiron [165]

to office in 1966 by widespread dissatisfaction with desegregation, Maddox Through the voice of "Pickrick," Maddox's fictional alter ego, these advertisements promoted the culinary offerings of the restaurant with a generous helping of the proprietor's homespun political commentary. Through these ads Maddox created a forum for anxieties shared by white working-class Atlantans, mostly over the issues of segregation and governmental corruption. The popularity of Maddox's sometimes pointed and combative monologues led to his emergence as a public figure. Entry into Politics In 1957 Maddox decided to put his words into action and challenged the incumbent, William B. Hartsfield, in the Atlanta mayoral race. Maddox was unsuccessful. Four years later he lost again to Ivan Allen Jr. In both campaigns he championed integrity and economy in government—and above all else, segregation. Undeterred by these setbacks in city politics, Maddox entered the 1962 lieutenant governor's race, only to suffer a runoff defeat against fellow segregationist Peter Zack Geer. By 1962 Maddox believed a political career was not meant to be.

Although many Atlanta businesses had desegregated before the passage of the Civil Rights Act of 1964, Maddox's Pickrick remained stubbornly wedded to the segregationist Jim Crow policies. The passage of the act put Maddox on a collision course with the "forces of integration" he so ardently opposed. As a conspicuous symbol of segregationist defiance, the Pickrick became an immediate target of civil rights activists seeking to test the new law.

Maddox and a throng of supporters wielding axe handles forcibly turned away three Black activists. A photograph of the scene ran on the front pages of newspapers across the nation, creating an image of Maddox as a violent racist. Maddox would both shun and cultivate this reputation at various points throughout his career. After losing a yearlong legal battle in which he challenged the constitutionality of the public accommodations section of the Civil Rights Act of 1964, Maddox elected to close his restaurant rather than desegregate.

stand at the Pickrick endeared him to many white Georgians who remained unwilling to relinquish segregation. Riding a wave of reaction to the Civil Rights Act, Maddox entered Georgia's 1966 gubernatorial contest and shocked many political observers by defeating the liberal former governor Ellis Arnall in the Democratic primary. This victory set the stage for a hard-fought campaign against textile heir Bo Callaway, the first credible Republican candidate for governor since Reconstruction. In a bizarre turn of events, Callaway won the popular vote, but because of a write-in campaign for Arnall, the Republican lacked a majority of votes. Following the Georgia constitution of the day, the legislature, controlled by Democrats, decided the election in favor of Maddox. Rumors that Maddox would return Georgia to a state of massive resistance against segregation proved unfounded. In fact, Maddox proved reasonably progressive on many racial matters. As governor he backed significant prison reform, an issue popular with many of the state's African Americans. He appointed more African Americans to government positions than all previous Georgia governors combined, including the first Black officer in the Georgia State Patrol and the first Black official to the state Board of Corrections. Though he never finished high school, Maddox greatly increased funding for the University System of Georgia.

Maddox's term was not without controversy, however. Fearing riots during the funeral procession of Martin Luther King Jr. in 1968, Maddox overreacted with a heavy-handed police presence. He also refused to order flags at state facilities to be lowered to half-mast for the funeral. As the leader of the state's delegation to the 1968 Democratic convention in Chicago, Illinois, Maddox fought against the civil rights aims of the party.

After the Governorship Constitutionally  unable to succeed himself as governor in the 1971 election, Maddox ran for and became the state's lieutenant governor. During his term he often found himself at odds with his political rival, Governor Jimmy Carter. He unsuccessfully ran again for governor against George Busbee in 1974 and in several elections thereafter. Maddox also ran for president of the United States as an independent in 1976. Returning to private life, Maddox operated a furniture store and a variety of other enterprises, none of which proved as successful as the Pickrick. Toward the end of his life, Maddox expressed few regrets and made no apologies for his segregationist beliefs or any of his other political stances.

7 0
2 years ago
Please help me with my question and id k how to do this please help
dem82 [27]

Answer:

“The White Man’s Burden” presents the conquering of non-white races as white people's selfless moral duty. This conquest, according to the poem, is not for personal or national benefit, but rather for the gain of others—specifically, for the gain of the conquered. The white race will “serve [their] captives’ need” rather than their own, and the white conquerors “seek another’s profit, / And work another’s gain.” Even if they do not recognize their benefit, the non-white races will be brought “(Ah, slowly!) toward the light,” escaping the “loved Egyptian night” in which they idled before their conquest. Yet the non-whites’ positive sentiment for their own “darkness” indicates the extreme difficulty whites will face in seeking to educate the conquered peoples.

By emphasizing the hardships of this "burden," the speaker positions himself as a realist who sees all the difficulties of an imperialist project and the inevitable thanklessness that results. The speaker announces that imperial conquest will “bind your sons to exile” and cause them to “wait in heavy harness” in pursuit of the “savage wars of peace,” indications of the difficulty and tedium of the inevitable war. The “silent, sullen peoples” lifted up from “bondage” will never offer the imperialists any thanks or praise.

By taking the difficulty and thanklessness of imperialism seriously, the speaker establishes his credibility as someone of clear-sighted judgement. This stance of realism offers the speaker’s argument two key things. First, it staves off the retort that the speaker is some idealist blinded by an impossible dream. The speaker’s focus on the difficulty of the task actually has the effect of making that task seem, eventually, achievable, since all the difficulties have already been foreseen. Second, it sets up the speaker (and the European powers the speaker seems connected to) as a kind of stern, realist father figure to America who will offer Americans true respect—“the judgement of your peers” both “cold” and “edged with dear-bought wisdom”—if they fulfill their imperialist task.

Indeed, the poem in many ways appeals to the middle-class virtues of ordinary turn of the 20th century Americans by presenting imperialism as a sober, tedious duty rather than a grand adventure of conquest. Imperialism is a “toil of serf and sweeper,” not a “tawdry rule of kings.” The larger part of “the white man’s burden” is thus an exercise in “patience,” accepting the length and difficulty of the task set for the imperialists. Not a calling to a high heroic destiny, but a crude, almost homely task, imperialism suits the desires of those who imagine themselves honest workers on humanity’s behalf, rather than triumphant conquerors of weaker peoples. Put another way, the poem can be seen as cannily playing to the vanity of America precisely by refusing to play to its vanity. The poem is saying to an America that, in 1899, was feeling itself ready to emerge on the world stage: this is how you can stop being a child and grow up.

While the speaker of “The White Man’s Burden” can be seen as trying to cannily build an argument that will specifically appeal to a certain set of Americans, it also seems possible that the speaker is not being purely cynical. The speaker seems to believe everything he is saying: that imperialism and colonialism is a thankless task, taken up by whites purely out of goodwill for other races (even if those other races lack the ability to see the gift being bestowed upon them), without any ulterior motive of profit, reward, praise, or even gratitude. This enterprise may not even succeed; references to the task’s difficulty far outnumber references to its success. Thus even as the speaker believes it is the white man's duty to engage in conquest, he may also believe that this conquest will fall short of its moral goals. Imperialism, the speaker sincerely believes, is the white man’s gracious sacrifice on behalf of non-whites.

Explanation:

all of that^ is basically a theme of colonialism and imperialism, hope it helps:)

3 0
2 years ago
The layout of the Temple was very similar to the Tabernacle, but much
Firlakuza [10]
<span>The layout of the Temple was very similar to the Tabernacle, but much LARGER</span>
7 0
3 years ago
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After the coup d’etat and the resignation of the Directory, one of the first things Napoleon did was to
Likurg_2 [28]

Answer:

form a military dictatorship

Explanation:

3 0
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