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France is the birthplace of cinema and was responsible for many of its significant contributions to the art form and the film-making process itself.[3] Several important cinematic movements, including the Nouvelle Vague, began in the country. It is noted for having a particularly strong film industry, due in part to protections afforded by the French government.[3]
Apart from its strong and innovative film tradition, France has also been a gathering spot for artists from across Europe and the world. For this reason, French cinema is sometimes intertwined with the cinema of foreign nations. Directors from nations such as Poland (Roman Polanski, Krzysztof Kieślowski, and Andrzej Żuławski), Argentina (Gaspar Noé and Edgardo Cozarinsky), Russia (Alexandre Alexeieff, Anatole Litvak), Austria (Michael Haneke), and Georgia (Géla Babluani, Otar Iosseliani) are prominent in the ranks of French cinema. Conversely, French directors have had prolific and influential careers in other countries, such as Luc Besson, Jacques Tourneur, or Francis Veber in the United States.
Another element supporting this fact is that Paris has the highest density of cinemas in the world, measured by the number of movie theaters per inhabitant,[4] and that in most "downtown Paris" movie theaters, foreign movies which would be secluded to "art houses" cinemas in other places are shown alongside "mainstream" works. Philippe Binant realized, on 2 February 2000, the first digital cinema projection in Europe, with the DLP CINEMA technology developed by Texas Instruments, in Paris.[5][6][7] Paris also boasts the Cité du cinéma, a major studio north of the city, and Disney Studio, a theme park devoted to the cinema and the third theme park near the city behind Disneyland and Parc Asterix.[8]
France is the most successful film industry in Europe in terms of number of films produced per annum, with a record-breaking 300 feature-length films produced in 2015.[9] France is also one of the few countries where non-American productions have the biggest share: American films only represented 44.9% of total admissions in 2014. This is largely due to the commercial strength of domestic productions, which accounted for 44,5% of admissions in 2014 (35.5% in 2015; 35.3% in 2016).[10] Also, the French film industry is closer to being entirely self-sufficient than any other country in Europe, recovering around 80–90% of costs from revenues generated in the domestic market alone.[11]
<u>From the given options which may suitably apply to the description of grid-lines of the map are
</u>
- They are measured in degrees
- They set up a reference system
- They divide Earth into four equal parts
Answers: Options A, B and E
<u>Explanation:
</u>
Option A describes that the grid-lines of the map are measure in degrees, which are very true as the grid are lined with angular measurement which thus be done in unit of angles and is in degrees only.
Option B says it develops the reference system which specifies about the area being plotted are grid depending upon the size which sets up the referential system of enumeration.
Option E is true as the world or the Earth has been divided into 4 equal parts through the Prime Meridian as the longitudinal line and Equator as the latitudinal line.
The diagram shows that ∠2 and ∠4 are the vertical angles.
<h3>What are vertical angles?</h3>
Vertical angles are the angles that are opposite of each other when two lines cross.
The statements are:
1. < 2 & < 4 are vert. angles
2. Lines M & N intersect at P
3. < 2 & < 3 are a linear pair
4. m < 2 + m < 3 = 180
5. <3 and < 4 are a linear pair
6. m < 3 + m <4 =180
7. m < 2 + m < 3 = m < 3 + m < 4
8. m < 2 = m < 4
9. < 2 =~ <4
Here are the reasons:
1. Given
2. Def of vertical angles.
3. Def if. Linear pair
4. Angle addition postulate
5. Def of a linear pair
6. Angle addition postulate
7. Substitution property
8. Subtraction property
9. Def of =~ angles.
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