Answer:
C.
Explanation:
Danao po ba iyan o lanao?
Answer:
The answer is False
Explanation:
An Amazon S3 basin is an open distributed storage asset accessible in Amazon Web Services' (AWS) Simple Storage Service (S3), a question stockpiling advertising. Amazon S3 containers, which are like document organizers, store objects, which comprise of information and its elucidating metadata. You should simply empower server-side encryption in your protest metadata when you transfer your information to Amazon S3. When your information achieves S3, it is scrambled and put away. In the record determination exchange box, discover the document that you need to transfer, pick it, pick Open, and after that pick Start Upload. You can watch the advancement of the transfer in the Transfer pane.An Amazon S3 can is an open distributed storage asset accessible in Amazon Web Services' Simple Storage Service (S3), a protest stockpiling advertising. Amazon S3 basins, which are like document organizers, store objects, which comprise of information and its engaging metadata.
Answer:
I dreamed of me & BTS talking with each other & enjoying!! Weird part - that's never gonna happen in reality :(
I’m pretty sure it’s A.
Time signature (is also known as meter signature, metre signature, or measure signature)
Answer:Japan began producing animation in 1917—still the age of silent films—through trial-and-error drawing and cutout animation techniques, based on animated shorts from France and the United States. People started talking about the high quality of Japanese “manga films.” But Japanese anime were costlier to produce than Western animations and were overshadowed by the popularity of Disney cartoons. They faced an uphill battle from the start.
One of the things that helped them find their niche was anime production for public relations and publicity campaigns by public institutions. Domestic anime production was beginning to develop a small but solid foundation when Tokyo and the surrounding area suffered catastrophic damage in the Great Kantō Earthquake in 1923. The anime industry was forced to start over from scratch.
The industry continued to struggle, unable to respond adequately to successive innovations, including the appearance of the first talkies in 1929 and color film in 1932. During this period, Ōfuji Noburō won international acclaim for Bagudajō no tōzoku (The Thief of Baguda Castle), which he made by cutting and pasting chiyogami (Japanese colored paper). His film is remembered as the first to make its presence felt outside Japan.
Many other promising anime artists appeared one after another, but with war approaching, goods were in extremely short supply as the national mood turned militaristic. Even film was not easy to get hold of. It was in this context that the first full-length theatrical film in the history of Japanese anime was released. Momotarō: Umi no shinpei (Momotarō’s Divine Sea Warriors, B&W, 74 minutes), produced by the navy, came out just before the end of the war. This was a propagandistic film designed to lift morale and commitment to the war effort.
Soon after the war ended, the General Headquarters of the Allied occupation (GHQ) brought together 100 anime artists in the bombed-out ruins of Tokyo to form the Shin Nihon Dōgasha, or New Japan Animation Company. The aim was to make it easier to spread occupation policies by having the artists produce anime in praise of democracy. However, many of the artists were fiercely independent and territorial, and the company was riven by disagreements from the outset. The project strayed off course, and eventually disbanded. Even GHQ threw in the towel. It seemed the switch from militarism to democracy was not going to be so easy.
Explanation:
