Kara Walker's Installation Rebellion! (Our tools were rudimentary, but we continued.) Combine Harvester by Kara Walker
Walker's signature style was cut from a popular 19th-century portrait, the paper cut. It comes from silhouette figures. Her characters are often placed in surreal scenes dealing with violence and historical depictions of African Americans. Among these works is 85 Feet of Slavery. Slavery!
Walker's paintings truly depict contemporary racism and the social and economic inequalities that continue to divide America. More puzzles than books, these are complex, multi-layered works that slowly reveal their meaning over time.
Walker clarified that her intention as an artist was not to create compelling images or to pose questions with simple answers. She also explained her use of silhouettes, stating, "Silhouettes say a lot with very little information, but that's also what stereotypes do."
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Answer:
Conservation of mechanical energy
Explanation:
Law of Conservation of Mechanical Energy: The total amount of mechanical energy, in a closed system in the absence of dissipative forces (e.g. friction, air resistance), remains constant.
In the absence of air resistance, the mechanical energy of an object moving through the air in the Earth's gravitational field, remains constant (is conserved) while the opposite is the case when there is air resistance involved.
The statement is true that if a taxpayer contributes a painting to a museum but reserves the right to use the painting for parties, he may not be allowed a deduction for the charitable contribution. If he donates or contributes the painting without certain conditions of his/her ownership, then he will be allowed for that deduction.
The answer would be letter A.