Answer:
1. Because the author wants to enhance unity in the society
2.when you work together, you will be strong.
But if you seperate ways your enemies may break you
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The era from the Queen Elizabeth I is the period in the Tudor era of the history of England during the reign of Queen Elizabeth I from 1558 to 1603. Historians often portray it as the golden age in English history. The symbol of Britannia, a female personification of Great Britain, was first used in 1572, and subsequently, to mark the Elizabethan age as a renaissance that inspired national pride through classical ideals, international expansion, and naval triumph over Spain.
This "golden age" signified the pinnacle of the English Renaissance and saw the flowering of poetry, music and literature. The era is most famous for theatre, as William Shakespeare and many others composed plays that broke free of England's past style of theatre. It was an age of exploration and expansion abroad, while back at home, the Protestant Reformation became more acceptable to the people, most certainly after the Spanish Armada was repelled. It was also the end of the period when England was a separate realm before its royal union with Scotland.
The Elizabethan age also contrasts sharply with the previous and following sovereignties. It was a brief period of inner peace between the English Reformation and the religious battles between Protestants and Catholics and the political battles between parliament and the monarchy that consumed the remainder of the seventeenth century.
The relative peace of mind that Elizabeth gave the British allowed them to start to believe more freely, without the fear of the church condemning their soul they could express, enjoy and exercise their faith more freely.
Due to the all the previous information presented, we can conclude that Elizabethan audiences would enjoy a play that included supernatural characters because in that moment:
A. Many people believed in the power of the prophecy.
Answer:
deconstruction, form of philosophical and literary analysis, derived mainly from work begun in the 1960s by the French philosopher Jacques Derrida, that questions the fundamental conceptual distinctions, or “oppositions,” in Western philosophy through a close examination of the language and logic of philosophical and literary texts. In the 1970s the term was applied to work by Derrida, Paul de Man, J. Hillis Miller, and Barbara Johnson, among other scholars. In the 1980s it designated more loosely a range of radical theoretical enterprises in diverse areas of the humanities and social sciences, including—in addition to philosophy and literature—law, psychoanalysis, architecture, anthropology, theology, feminism, gay and lesbian studies, political theory, historiography, and film theory. In polemical discussions about intellectual trends of the late 20th-century, deconstruction was sometimes used pejoratively to suggest nihilism and frivolous skepticism. In popular usage the term has come to mean a critical dismantling of tradition and traditional modes of thought.
Deconstruction in philosophy
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