In chapter 5 of Mary Shelley's "Frankenstein", Victor completes his project of giving live to a dead creature made of pieces of different corpses.This happens after months of study and obssession with unveiling the secret of life. Moreover, the creature comes to life during a stormy night.
This event signals the relationship the Romantics had with the supernatural. Traditional ideas of science and logical thought from the Enlightenment were vanishing as writers were engaging in new ways to thing and approach the world, and this was reflected in Victor's approach to new supernatural ideas that go beyond traditional scientific thought. The coming to life of the monster is clearly an embodiment of the supernatural, as is the fact that he comes to life with thunder and lightning (another supernatural phenomena used by romantics along with fog, fire or spirits).
Types of persuasive techniques
The three types of persuasive strategies are logos, ethos and pathos, or L.E.P. The most effective persuasive communication usually has a mix of all three strategies. Logos uses logic or reason to reach a conclusion, while ethos depends upon the credibility of the author or source as support for action.
Answer:modred, arthur, and two of arthurs followers
Explanation:
hopes this helps
Answer:
The correct answer is A. either, or; neither, nor
Explanation:
Correlative conjunctions are a type of conjunctions or words that link two or more words, clauses or sentence and always include two conjunction or parts. This means this type of conjunction differ from coordinate and subjunctive conjunction because they work in pairs to join different elements and one conjunction depends on the other, this includes pairs such as both/and; neither/nor; either/or and not only/ but also. This implies in the case of the sentence "Either John or Lisa was in the lab, because neither Neil nor I went there today" there are two correlative conjunctions and these are "either/or" and "neither/nor" that link different element in this sentence and are pair or correlative conjunctions.