Answer:
The proverb makes a distinction between those who are accepting and be open to change, making progress and development along with it and those who choose to stay behind and not allow the change to evolve in them.
Explanation:
The given proverb <em>"When the wind of change blows, some build walls while others build windmills"</em> is a Chinese proverb. It revolves around the ability and acceptance of change in one's life course.
When change happens, there are two types of people. One is those who take advantage of the change, accept it, and go along with it. And in that process, they found development and be able to achieve greater things.
On the other hand, we have those who oppose the change, building walls to prevent the wind. They do not accept the change and tries hard to stop it from affecting them. They will be left stagnant and unable to move on in life.
This proverb makes a distinction between those who are accepting and be open to change, making progress and development along with it and those who choose to stay behind and not allow the change to evolve in them.
Answer:
( In the Kite Runner) Amir is filled with shock and anger. Rahim's dying wish is fair because he knows it will remove Amir's guilt and pay back Hassan for what he saw in the alley.
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Answer:
True
Explanation:
Camelot is a castle and court associated with the legendary King Arthur. Absent in the early Arthurian material, Camelot first appeared in 12th-century French romances and, after the Lancelot-Grail cycle, eventually came to be described as the fantastic capital of Arthur's realm and a symbol of the Arthurian world.
<em>The stories locate it somewhere in Great Britain and </em><u><em>sometimes associate it with real cities</em></u><em>, though more usually its precise location is not revealed. Most scholars regard it as being entirely fictional, its unspecified geography being perfect for chivalric romance writers. Nevertheless, arguments about the location of the "real Camelot" have occurred since the 15th century and continue to rage today in popular works and for tourism purposes. </em>
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