1. We have a chicken in our backyard that likes to eat corn. 2. I like to eat corn, but it is a little different. Or.... 1. In our backyard we have a chicken that likes to eat corn. 2. I like to eat corn, but it is a little different. I would say the second option is probably better if you are looking for the exact wording of the sentence given in the picture.
<span>Allegorical, Surrealistic.
Surrealism is a story that has dreamlike qualities in which the narrative has absurd or unrealistic elements. In Metamorphosis, Gregor becomes a giant insect. This is rather absurd and unrealistic. An allegory is when a story has a hidden meaning. Is Metamorphosis just about a guy turned into a bug? No. It's also about the alienating nature of society. Throughout the story, Gregor has no real friends with people outside of his family. Once he becomes a bug, even that is gone. </span>
If, however, I could have carried the place on the 22nd of last month, I could by this time have made a campaign that would have made the State of Mississippi almost safe for a solitary horseman to ride over.
<span>The setting of this excerpt is a dense, secluded forest through which no travelers seem to want to venture. The strange, large figure in the road makes the protagonist paranoid and afraid, which further builds the tension and fear in the story from the previous excerpt.</span>
When Romeo sees Juliet for the first time, he is struck by her beauty and breaks into a sonnet. The imagery Romeo uses to describe Juliet gives important insights into their relationship. Romeo initially describes Juliet as a source of light, like a star, against the darkness: "she doth teach the torches to burn bright! It seems she hangs upon the cheek of night." As the play progresses, a cloak of interwoven light and dark images is cast around the pair. The lovers are repeatedly associated with the dark, an association that points to the secret nature of their love because this is the time they are able to meet in safety. At the same time, the light that surrounds the lovers in each other's eyes grows brighter to the very end, when Juliet's beauty even illuminates the dark of the tomb. The association of both Romeo and Juliet with the stars also continually reminds the audience that their fate is "star-cross'd."
Romeo believes that he can now distinguish between the artificiality of his love for Rosaline and the genuine feelings Juliet inspires. Romeo acknowledges his love was blind, "Did my heart love till now? Forswear it, sight / For I ne'er saw true beauty till this night."
Romeo's use of religious imagery from this point on — as when he describes Juliet as a holy shrine — indicates a move towards a more spiritual consideration of love as he moves away from the inflated, overacted descriptions of his love for Rosaline.
