Answer:
D.
Explanation:
This is because it sets up a reaction to when they reveal an act of bravery from the certain character later in the passage.
<h2>
Answer:</h2>
These words are part of Montesquieu's treatise The Spirit of the Laws. More specifically, they belong to the Chapter 6 ("Of the Constitution of Engand") of this treatise.
In this text, Montesquieu defends political liberty. Moreover, he argues that the best way of achieving it is by establishing the separation of the powers. In that way, Montesquieu believes that the different functions of government, that is to say the executive, legislative, and judicial functions, should be assigned to different bodies. Furthermore, he argues that liberty cannot be established in a nation where there is no separation of powers.
Answer:
The statement that best describes how the author develops her ideas about the propaganda was used during wartime is:
C. She gives examples of different countries’ propaganda campaigns and their biased or inaccurate messages.
Explanation:
The reasons for this answer are two. First of all, the author shows very clearly from the beginning evidence that back he perspective of propaganda being used to manipulate the citizens so they are motivated to follow the governments' objectives and calls. Second, she also provides evidence to clarify the reality behind the government propaganda, but that they used it to provide misinformation to manipulate them.
The Embargo Act of 1807 was Jefferson's attempt to keep the country at peace and avoid further provocative incidents. It also stopped the export of American goods <span>and prohibited all U.S. ships from leaving for foreign ports. And it was denounced by New England merchants and western and southern farmers alike, therefore all of the above is the correct answer!</span>
Answer:
Renaissance gave importance to the human and his rationality, while Middle Age art was more allegorical and linked to the divine world and its possibilities towards humanity. Middle Age art was also often concerned to represent heavenly and apocalyptic sceneries. The Renaissance celebrated man's intelligence to build and construct and to be the cause for a possibly good life.