Answer: d. Sounds
Explanation:
According to Bruno Netti on Ethnomusicology, Music is diverse. It always expresses a subtext determined by culture, class, gender and personality and by a society's idea of music. Evidenced by the different genres of music we have.
Alan Merriam's three part model on music suggests that music is a phenomenon that consists of three sides; sound, behaviour and ideas.
So therefore for music to be understood, it should be studied as a group of sounds, as behaviour that leads to these sounds, and as a group of ideas or concepts that govern the sound and the behaviour.
Answer:
Kokomi Teruhashi (照橋心美, てるはし ここみ lit. Teruhashi Kokomi) is one of the main characters of the series. She is a student in Saiki Kusuo's class and she is considered very attractive by both women and men, who often stop and stare upon seeing her.
Explanation:
pls give me brainless.
In archaeology, rock art is human-made markings placed on natural stone; it is largely synonymous with parietal art. A global phenomenon, rock art is found in many culturally diverse regions of the world. It has been produced in many contexts throughout human history, although the majority of rock art that has been ethnographically recorded has been produced as a part of ritual. Such artworks are often divided into three forms: petroglyphs, which are carved into the rock surface, pictographs, which are painted onto the surface, and earth figures, formed on the ground. The oldest known rock art dates from the Upper Palaeolithic period, having been found in Europe, Australia, Asia and Africa. Archaeologists studying these artworks believe that they likely had magico-religious significance.
I believe the correct answer is high relief.
When a sculpture is designed to be viewed from one side, and
protrudes dynamically from its background plane (at least half of their natural
circumference of sculpture must protrude from background plane) or is carved with
deeply incised marks is called high relief. For example, high-relief art was
made with marble by Francesco Grassia in Rome.
