Answer:
Scandinavia ( present-day Denmark, Norway and Sweden.
Manga Ormolu enters the dialogue on contemporary culture, technology, and globalization through a fabricated relationship between ceramic tradition (using the form of Chinese Ming dynasty vessels) and techno-Pop Art. The futuristic update of the Ming vessels in this series recalls 18th century French gilded ormolu, where historic Chinese vessels were transformed into curiosity pieces for aristocrats. But here, robotic prosthetics inspired by anime (Japanese animation) and manga (the beloved comics and picture novels of Japan) subvert elitism with the accessibility of popular culture.
Working with Asian cultural elements highlights the evolving Western experience of the “Orient.” This narrative is personal: the hybridization of cultures mirrors my identity as an ethnically-mixed Asian Canadian. My family history is one of successive generations shedding the markers of ethnic identity in order to succeed in an adopted country – within a few generations this cultural filtration has spanned China, India, Trinidad, Ireland and Canada.
While Manga Ormolu offers multiple points of entry into sociocultural dialogue, manga, by nature, doesn’t take itself too seriously. The futuristic ornamentation can be excessive, self-aggrandizing, even ridiculous. This is a fitting reflection of our human need to envision and translate fantastic ideas into reality; in fact, striving for transcendence is a unifying feature of human cultural history. This characteristic is reflected in the unassuming, yet utterly transformable material of clay. Manga Ormolu, through content, form and material, vividly demonstrates the conflicting and complementary forces that shape our perceptions of Ourselves and the Other.
I have three good claims to support my point of view about the best breed of dog.
Answer:
"If you share your life on the performance art stage, you put yourself in a position to be seriously judged as a good person or bad person. At times I was worshiped as a goddess-- art lovers lavished me with gifts, shared their beautiful tears, gave me their blessings, sprinkled me with their love and adoration.
Explanation:
Body art was central to the performance art of the 1960s, and the terms are sometimes used interchangeably in this context. It encompasses artists who position themselves as living sculpture, as well as those who use their bodies as a canvas. However, the definition of whether an act is body art or not is often up to the artist.
