Answer:
i hope this helps if not im sorry plz dont report me
Explanation:
Transcript of "Hope, Despair and Memory" Excerpts from Elie Wiesel's Nobel Prize Lecture "Hope, Despair and Memory" Without memory, our existence would be barren and opaque, like a prison cell into which no light penetrates; like a tomb which rejects the living.
Answer:
Jess makes Maybelle the new QUEEN of Terabithia
Explanation:
Answer:
For the first rehearsal, <u>us</u> knowing our lines was more important than saying them with expression.
Explanation:
In the given example, you need to choose the correct form of the pronoun <em>we</em><em>. </em>
<em>We</em> is the first-person plural personal pronoun.
<em>Us </em>is the accusative form of the pronoun <em>we</em>, which means that it is usually used as the object of the sentence.
<em>Our </em>is the possessive form of the pronoun <em>we.</em>
The form that should be used in the given sentence is <em>us</em>. We can ask: <em>What was important? Us knowing our lines.</em> This construction shows us that it's important for the subject(s) to know their lines in the eyes of someone else. It can be important for them, as well, but the emphasis is on someone else. For example, the person leading the rehearsal could've told them to learn the lines without working on the expression, and that's why it's important for them to know them.
Answer: 1a 2b 3c
Explanation:
1 is statistics, logos is statistics and facts.
2 is convincing you with emotion. Pathos is emotions.
3 is making the speaker more credible in some way. Ethos is increasing the speaker's credibility.
Gilman expresses her feelings about the role women had in society at the time using the literary form of allegory. Allegorizing her own challenges, she demonstrates how she chose art [writing] over difficult experiences with women.
Gilman conveys the woman's mental state through a variety of literary strategies. Personification, imagery, and similes are a few of these. Additionally, she employs terms with unfavorable meanings like fungus, destroy, and lurid. Gilman refers to the wallpaper most frequently in figurative language.
The wallpaper unmistakably stands in for the narrator's imprisoning structures of family, medicine, and tradition. Wallpaper is a lowly and domestic material, and Gilman deftly employs this nightmare-inducing paper as a representation of the household existence that ensnares so many women.
To learn more on Gilman
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