B setting
In any type of text the setting always describes the place or time the story takes place in.
Answer:
Explanation:
What could be a worse fate for a modern American female poet than to be lumped into a nebulous, chauvinistic and ever slightly misogynistic pool of cess stereotyped as a “domestic poet.” Anyone unfamiliar with the term coming across it from the first time in reference to a female poet might well believe that domestic poetry is sweetly rhyming verse taking as its subject situations like getting the kids into the van for soccer practice, making cookies for the PTA meeting and, of course, a litany of hatred expressed toward husbands who are never there to help with domestic issues.
Never mind that Robert Frost and Walt Whitman and Wallace Stevens have all at one time or another found a niche within the broadly defined movement or genre of domestic poetry. Which, for the same of brevity, shall be termed poetry dealing with the commonplace of everyday as opposed to epic tales, transcendental unity of man with nature, mysticism, avant-garde experimentation with form over content and various other assorted and sundry types of poems with which the average person cannot relate. Linda Pastan, in other words, writes poems in which she consistently returns to touch upon universal themes dealing with family and relationships and the difficulties of normal existence and the emotional distress of just getting up and living live as it comes.
The tension that always exists between members of a family regardless of the definition or connotation applied to the term “family” has been a great source of inspiration to Pastan from her earliest verse and throughout her development and maturation. By contrast, an equally concentrated examination of the tensions introduced by religious and spiritual expectations has tended to dissipate throughout that process of growing older and becoming more domesticated. In its place Pastan has created a body of work that is far more elegiac and meditative and, it must finally be admitted, less domestic. With the introduction of a more melancholic and reflective poetry that moves into a greater sense of isolation and a solitary contemplation of tactile nature rather than abstract spiritualism, Pastan succeeds in tossing off whatever chains may have been tied around her verse as a result of the unfortunate constriction of trying to pigeonhole her as merely a domestic poet.
A statement is a speech made by a person that is reflective of their thoughts. The statement, "I won’t give Austin such a tight deadline again" reflects the
- <u>Behavioral or intentional </u>component of an attitude.
An attitude is a way of thinking. When the author of the speech said that he would not perform a certain attention, he is stating his intentions or what he hopes to do.
This is also a reflection of his behavior because it gives us an idea of his actions.
Therefore, the statement reflects a behavioral or intentional component of attitude.
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The answer to the given question above would be the first option. Based on the poem, the "long road” the one which symbolizes the given lines above is <span> personal growth and life journey which is being compared to a long road curved through trouble and joy. Hope this helps.</span>
Elisa, at the end of " The Chrysanthemums" , was sad and cried like a woman because she realizes that she has been duped by the tinker and that he was not interested in her chrysanthemums at all. I hope my answer has come to your help. God bless and have a nice day ahead!
