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aivan3 [116]
3 years ago
15

The panama canal cuts through? a.) Andes Mountains Central b.) Central Plateau c.) Isthmus if Panama d.) Atacama desert

History
1 answer:
Yakvenalex [24]3 years ago
5 0
The correct answer is C.) - the Isthmus of Panama. Isthmus is a narrow strip of land and the Isthmus of Panama was the optimal place for a channel between the two oceans.
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The Monroe Doctrine expressed the idea that new countries should be allowed to develop without interference from stronger nation
Archy [21]

Answer:

In my opinion, the United States does not follow this doctrine, although there are no longer any cases of "new countries" if there is the case of strong countries, including the United States, and developing or third world countries, as there are in Latin America, where the United States has been accused of intervening:

  1. Support the coup d'etat of Pinochet in Chile under the government of President Nixon in 1973.
  2. Orchestrate the coup against Jacobo Arbenz in Guatemala in 1984.
  3. Suppress protests in foreign countries as happened in Panama in 1964 under the mandate of President Johnson (APARICIO PINDADO, Daniel. 2016).

As well as the constant invasion of Middle Eastern countries in the search for nuclear weapons or terrorist groups that could threaten US sovereignty, as well as the recent friction with Iran.

Therefore, the inclusion of the United States as a strong country vis-à-vis other countries is undeniable and demonstrates that the Monroe doctrine (attributed to President James Monroe) is no longer applied by the country, at a time when more than ever countries should exercise their own government and be architects of its future.

Explanation:

The United States has been involved in different acts around the world that would suggest that the Monroe doctrine should only be applied when the country was a new or weak country, now that it is a strong country, it does not consider that doctrine applicable.

5 0
3 years ago
Which options accurately describe cultural practices of the Byzantine and Arab Empires? (Select all that apply.) The Byzantine E
3241004551 [841]

The options that correctly describe cultural practices of the Byzantine and Arab empires is <em>The Byzantine Empire created mosaics of religious figures, whereas the Arabs prohibited religious art; </em>and <em>The Byzantine government was based on Greco-Roman Law, whereas the Arab government was based on Sharia law.</em>

A unique practice in the Orthodox Church is the decoration of churches with mosaics portraying religious figures taken from The Bible. However, a fundamentalist religious movement called <em>Iconoclasm </em>emerged within the Byzantine Empire in the ninth century with the goal of banning the worshiping of religious figures (icons; from Greek  εἰκονο,  <em>eikono, </em>image).<em> </em>Even though this doctrine was short-lived, it proved both costly and bloody for the empire. On the other hand, the worshiping of images by the Arabs was prohibited as Muhammed spread the word of Islam in the mid seventh century. In fact, Islam prohibited the depiction of any living thing, just like the First Commandment in the Jewish Ten Commandments.

As of law, the Byzantine empire preserved the Greco-Roman law tradition as the surviving portion of the Roman Empire whose Western part fell in 476 A.D. However, up to that moment laws had not been coded in writing, which prompted Byzantine Emperor Justinian to create a legal code bearing his name in the sixth century. In contrast, the Arabic Empire was ruled through <em>Sharia (divine law </em>in Arabic), or the law stemming from the sacred book of Islam, <em>Quran</em>.

5 0
3 years ago
How did the American Revolution influence the French Revolution?​
kakasveta [241]

Answer:     The French who had direct contact with the Americans were able to successfully implement Enlightenment ideas into a new political system. The National Assembly in France even used the American Declaration of Independence as a model when drafting the Declaration of the Rights of Man and the Citizen in 1789

Explanation:

8 0
3 years ago
Hear the sledges with the bells, Silver bells! What a world of merriment their melody foretells! How they tinkle, tinkle, tinkle
ki77a [65]

Answer:

Song:

  Hear the sledges with the bells—

                Silver bells!

What a world of merriment their melody foretells!

       How they tinkle, tinkle, tinkle,

          In the icy air of night!

       While the stars that oversprinkle

       All the heavens, seem to twinkle

          With a crystalline delight;

        Keeping time, time, time,

        In a sort of Runic rhyme,

To the tintinabulation that so musically wells

      From the bells, bells, bells, bells,

              Bells, bells, bells—

 From the jingling and the tinkling of the bells.

II.

       Hear the mellow wedding bells,

                Golden bells!

What a world of happiness their harmony foretells!

       Through the balmy air of night

       How they ring out their delight!

          From the molten-golden notes,

              And all in tune,

          What a liquid ditty floats

   To the turtle-dove that listens, while she gloats

              On the moon!

        Oh, from out the sounding cells,

What a gush of euphony voluminously wells!

              How it swells!

              How it dwells

          On the Future! how it tells

          Of the rapture that impels

        To the swinging and the ringing

          Of the bells, bells, bells,

        Of the bells, bells, bells, bells,

              Bells, bells, bells—

 To the rhyming and the chiming of the bells!

III.

        Hear the loud alarum bells—

                Brazen bells!

What tale of terror, now, their turbulency tells!

      In the startled ear of night

      How they scream out their affright!

        Too much horrified to speak,

        They can only shriek, shriek,

                 Out of tune,

In a clamorous appealing to the mercy of the fire,

In a mad expostulation with the deaf and frantic fire,

           Leaping higher, higher, higher,

           With a desperate desire,

        And a resolute endeavor

        Now—now to sit or never,

      By the side of the pale-faced moon.

           Oh, the bells, bells, bells!

           What a tale their terror tells

                 Of Despair!

      How they clang, and clash, and roar!

      What a horror they outpour

On the bosom of the palpitating air!

      Yet the ear it fully knows,

           By the twanging,

           And the clanging,

        How the danger ebbs and flows;

      Yet the ear distinctly tells,

           In the jangling,

           And the wrangling.

      How the danger sinks and swells,

By the sinking or the swelling in the anger of the bells—

            Of the bells—

    Of the bells, bells, bells, bells,

           Bells, bells, bells—

In the clamor and the clangor of the bells!

IV.

         Hear the tolling of the bells—

                Iron bells!

What a world of solemn thought their monody compels!

       In the silence of the night,

       How we shiver with affright

 At the melancholy menace of their tone!

       For every sound that floats

       From the rust within their throats

                Is a groan.

       And the people—ah, the people—

      They that dwell up in the steeple,

                All alone,

       And who tolling, tolling, tolling,

         In that muffled monotone,

        Feel a glory in so rolling

         On the human heart a stone—

    They are neither man nor woman—

    They are neither brute nor human—

             They are Ghouls:

       And their king it is who tolls;

       And he rolls, rolls, rolls,

                   Rolls

            A pæan from the bells!

         And his merry bosom swells

            With the pæan of the bells!

         And he dances, and he yells;

         Keeping time, time, time,

         In a sort of Runic rhyme,

            To the pæan of the bells—

              Of the bells:

         Keeping time, time, time,

         In a sort of Runic rhyme,

           To the throbbing of the bells—

         Of the bells, bells, bells—

           To the sobbing of the bells;

         Keeping time, time, time,

           As he knells, knells, knells,

         In a happy Runic rhyme,

           To the rolling of the bells—

         Of the bells, bells, bells—

           To the tolling of the bells,

     Of the bells, bells, bells, bells—

             Bells, bells, bells—

 To the moaning and the groaning of the bells.

<h2>please BRANLIEST! :)</h2>
4 0
3 years ago
The depression forced American workers to face a drop in wages and rise in _______?
gulaghasi [49]
The Great Depression caused serious inflation, so the answer is "Prices". Hope that helps!
6 0
3 years ago
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