Answer:
Stand Here Ironing” is best understood in the context of two social forces that gripped the United States in the twentieth century: the lean years of the Great Depression and the burgeoning feminist movement of the 1950s and beyond. “I Stand Here Ironing” is highly autobiographical, and the narrator, a single, teenage mother raising a daughter in the depths of the Great Depression, is a double for Olsen. “It was the pre-relief, pre-WPA world of the depression,” the narrator notes when she describes the reality into which Emily was born. The Works Progress Administration (WPA) was a relief agency that provided work rather than welfare to the nation’s struggling families. Without employment assistance or financial relief, the narrator was left to her own devices, forced to face the grim specter of poverty and the need to work while raising her infant daughter alone. Those trying years have left an indelible mark on the narrator, who openly cites the permanent effect that this inescapable crisis had not only on her family but also on her psyche. Olsen also raised a child alone in the early 1930s and, like the narrator, faced economic hardship that led to great emotional strain.
God is a good guy and I love him very much but yes god and his forces at the point do that
Answer:
He prepared a fake story about having Amontillado to lure Fortunado to his house and he also set a shovel and a lot of mortar and stone in a crypt deep within his catacombs where he would lead Fortunado. He planned to bury him alive within a wall of stone.
Answer:
it insinuates that women were amenable to the way men framed their rights
Explanation:
Alliteration is the literary device in the sentence because the "J" sound is repeated