Answer:
the anwser is E
Explanation:
Linda Nochlin’s “Why Have There Been No Great Women Artists?” (1971) is generally considered the first major work of feminist art history. Maura Reilly, a curator, writer, and collaborator of Nochlin’s, described the work as “a dramatic feminist rallying cry.” “This canonical essay precipitated a paradigm shift within the discipline of art history,” Reilly states in her preface to Women Artists: The Linda Nochlin Reader (2015), “and as such her name became inseparable from the phrase, ‘feminist art,’ on a global scale.” A dryly humored analysis of the values by which artists are historicized and discussed, “Why Have There Been No Great Women Artists?” posited the first methodological approach for the discipline: that instead of bolstering the reputations of critically neglected or forgotten women artists, the feminist art historian should pick apart, analyze, and question the social and institutional structures that underpin artistic production, the art world, and art history.
In her own words, Nochlin grew up in “a secular, leftist, intellectual Jewish family” in Crown Heights, Brooklyn. In 1951, she graduated with a BA in philosophy and a minor in Greek and art history at Vassar College. Vassar is one of the so-called “Seven Sisters,” a group of historic women’s colleges along the Northeastern US (it became coeducational in 1969). “The good thing about a women’s college…was that women had a chance to do everything,” Nochlin stated in a 2015 interview with Reilly. “We were not pushed to the margins because there were no gendered margins…we were all there was.” In 1952, Nochlin obtained a masters in English literature at Columbia before undertaking her PhD in art history at the Institute of Fine Arts, New York University, where she wrote her doctorate on the work of Gustave Courbet. Aside from “Why Have There Been No Great Women Artists?,” Nochlin is perhaps best known for her 1971 book, Realism, a landmark study on the 19th-century movement.
<span>Pablo Ruiz Picasso was born on October 25, 1881, in Málaga, on the southern Spanish coast. He was christened Ruiz after his father, and Picasso after his mother, in the traditional Spanish way. His background was modest; his father, José Ruiz Blasco, supported his family by teaching drawing at the local art school. Picasso was introduced to art by his father, who loved to paint the pigeons that flocked in the plaza outside the family home. Sometimes Picasso's father asked his young son to finish his paintings for him; the precocious boy was more than able to do so. By the time he was 13, his budding talent already overshadowed his father's. He very quickly grasped naturalistic conventions in his drawing; he said later, "I never drew like a child. When I was 12, I drew like Raphael." The imagery of his earliest work was derived from both conventional academic studies–the usual subjects that artists trained themselves on at the time, such as figure studies based on plaster casts–and his fascination with the bullfight, which he shared with his father.</span>
Social tradition is important because of the following points:
(1).It helps to increase mutual understanding and cooperation between people of society.
(2).There is a great role of it in civilized society as it eradicates many social problems like murdering,theft,and many other violences.
(3)It helps to establish peace and stability in the society.
(4).It helps to maintain religious tolerance though which each and every people respect each other's religion.
(5)It increases feeling of brotherhood and ownness among the people of society.
(6) The most and much important point of importance of social tradition is that It helps to preserve our ancestors art, tradition,skills etc which surely teaches current generation about the lifestyle,skills etc
Answer:
He enjoys music that is more authentic and less mainstream.
Explanation:
Based in the passage, we can assume that Mateo dislikes pop music, so you can also assume that Mateo likes music that is less popular, thus more authentic and less mainstream.
