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The Industrial Revolution had a great effect on the Impressionists and Post-Impressionists in the late 19th century. Artist of these movements were observing nature directly. They captured the momentarily changing effect of the lighting.
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I recommend listening to Dave Brubeck's Time Out. That whole record is an exploration of odd time signatures and unusual ways of subdividing rhythms, but in a way that still swings. Three of the more famous tracks, for example, are:
"Blue Rondo a la Turk": This is in 9/8, which is an old time signature dating back to the Baroque period, used when a composer wanted a triplet feel in 3/4 time. What makes this song different is that instead of the usual 3-3-3 break-down, Brubeck subdivides the beat into 2-2-2-3, which gives it a totally different feel.
"Take Five": This is in 5/4, subdivided into 3-2. You've heard this song a million times, even if you didn't know it. It's in every commercial that's trying for a "sophisticated luxury" feel. It isn't easy to make 5/4 sound mainstream, but this song does it.
"Three To Get Ready": This has a pattern of changing time signatures throughout the song. It's two bars of 3/4 followed by two bars of 4/4, then back to two bars of 3/4, then 4/4, etc. The drumming is interesting here: Joe Morello basically just brushes a 3/4 pattern on the snare during the whole song, but in the 4/4 bars it starts to syncopate, which then causes it to be "out of phase" in the 3/4 bars, gradually coming back into phase later.
Anyway. It's a great record and a wonderful collection of odd time experiments.
I know right it such a fun show and i agree full heartedly with your opinion against mineta
<span>B and C are correct. Raphael’s first art teacher, Perugino, was a Renaissance painter, not a medieval artist. He painted a stanze in the Vatican, now known as the ‘Raphael rooms’. He was a painter and architect at St Peter’s Basillica, but he was not an archaeologist.</span>
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