Answer:
b. preposition (informal. They mean "around" Montreal.)
c. noun (thing)
e. interjection (something people from emotion like wow!)
f. adverb (describing how the person works: well... or not well)
g. noun (thing)
h. adjective (describing how the person feels)
i. pronoun (formal for "you in general")
j. adjective (describing the number of games)
k. noun (the thing that is being talked about)
l. adjective (describing the crowd, which is a noun)
m. verb (record as in the action)
n. noun (thing)
Two things. Wave in water or wave with a hand.
I just watched this movie so I can help. His secret life is his constant state of daydreams. All the time he viewed himself as a hero but never did anything about it. Then when the guy in the mountains I forgot his name lol lost picture 25 and Walter had to get it, he saw it as his time to do something about it. His life is secret from the rest of the world. He’s always being awkwardly snapped out of daydreams by his crush or the mean boss (Adam Scott, don’t know the characters name).
Answer:
Classical decomposition requires the study of the space the art takes place in, the color composition if applicable, the lines and flow of the work, the technique used, and the emotion and intellectual response it evokes. The space in which the art takes place could be the phsyical setting, the division of space in the work itself (common in paintings) and how it interacts with the space (negative vs. positive space.) The color composition is important in how the colors chosen relate to the work (or the lack there of). The lines and flow of the work tend to pertain more to visual works but anyone that has evaluated the artwork in automotive design know full well the importance of lines in the work. The technique is important especially in phsyical artwork such as sculpture and relief painting. This is also crucial in multimedia work and abstract sculpture. The last part, largely subjective, is what the work solicits from the viewer. Art without emotion could be argued ... isn't art. Andy Worhol explored this idea with pop art (cambell soup can anyone?) on what is the nature of art. Art is either everywhere (in your spoon, fork, stapler, etc.) or some rare thing (a painting by Raphel verus the macroni happy face the 4 year old did) and if it is a rare thing then what does the art have to convey? What elevates art from engineering then? This last part is solely the responsibility of the critic rather then the artist. An artist always sees their art as art, but what prompts the view to consider it art and what steps does the work take to make a believer out of the viewer.
Explanation:
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