Fortunato contributes to the element of suspense by acting as if he is Montresaur (however you spell his name) friend. Fortunato has built up hate for Montresaur because of all the bad things he has done to him in the past. Throughout the story...Fortunato finds out there is an upcoming carnival. He plans to kill Montresaur by wearing a mask to the carnival and leading Montresaur into the catacombs to "look at the fine wine" he has but instead gets him drunk and leads him deeper into the catacombs where no one would look and hangs him against a wall of dead bones and starts to build a wall around him where he will slowly and painfully die, while drunk he does not know what is going on and thinks it is a joke, but as he becomes sober he cries for help while Fortunato builds a wall. As Fortunato gives his last words to Montresuar his puts the last brick in place.
"That's the best I could answer it, we read the poem in class a few weeks ago but I wanted to help because I still remembered some things about it.
You could use the adjective, gaudy, to describe a noun. The noun, quail, could be used as the sentence subject (either direct or indirect). For example:
"The gaudy pheasant made the dull quail ashamed of its plain feathers."
Personally yes it should be because most little kids don’t need to be on social media especially if your not mature I think you should be mature to be on social media
Little kids don’t need to be influenced to do that
Answer:
Explanation:
From the pie chart information given, it can be deduced that ; a bulk percentage of Mrs. Kafle's earning is spent on Food, Health and clothes. With Food occupying the highest percentage. Followed by health the clothing. Other expenaes such as Rent, education and monthly savings also takes up above 5% of Mrs. Kafle's earning. Entertainment, charity and others takes up the remaining percentage of her earning which collectively represents about 11% of her total earning.
Hence Food which takes up the highest percentage, represents about 30% of her total earning.
