The horse hooves of rain landed loudly on the tin roof.
Your answers D,because sensory language means <span>In writing, </span>sensory language<span> is a way for a writer to help the reader see or connect with an image, description, action, or scene. </span>Sensory language<span> is </span>language<span> that connects to the five senses (sight, sound, smell, taste, touch) to create an image or description.</span>
Answer:Oliver Goldsmith’s essays reflect two significant literary transitions of the late eighteenth century. The larger or more general of these was the beginning of the gradual evolution of Romanticism from the Neoclassicism of the previous one hundred years. Oppressed by the heavy “rule of reason” and ideas of taste and polish, readers of this transitional period gradually began to respond more to the imaginative and the emotional in literature. This transition serves as a backdrop for a related evolution that played an essential role in the development of the modern short story. At this time the well-established periodical essay began a glacially slow movement away from its predominant emphasis on a formal exposition of ideas; contemporary essayists, none more prominent than Goldsmith, began to indulge more their taste for the personal approach and for narrative. The result was increased experimentation with characterization, story line, setting, and imagery; concurrent with these developments, style, theme, tone, and structural patterning received particular attention. Varying degrees and types of emphasis on these elements pushed the essay form in many diverse directions. Of all the contemporary essayists, Oliver Goldsmith best reflects these developments.
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B.
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The Giver is trying to explain that Sameness was meant to be a trade off, so that the Community would be free of pain, safe from all possible harm, have perfect climate control, and an orderly existence.
