<em><u>Answer:</u></em>
b) The comma attempts to join two independent clauses.
<em><u>Explanation:</u></em>
When two ideas come together and either one of them can stand by itself as its own, independent sentence, then the use of the comma is correct:
Comma + a conjunction (and, but, for, nor, yet, or, so)
Answer:
Same! I luv candy, especially chupa chups! >_<
Explanation:
What sentence? You can delete this if you want btw! :D tell me the rest of the question in the comments and i will answer there if you want.
Hello!
The one way the Maze Runner and the Hunger Games are notably similar is the "survival" story-line that is implemented but the Maze Runner is more along the lines of a post-apocalypse story. The Hunger Games is more along the lines of a post-war story line but that part of the story (the separation of the Districts) is not seen/told until much later. Also, Both involve the killing of innocent children/adolescents by the authorities in charge as a means to find peace. The Hunger Games looks to use the “competition” to control the population and prevent an uprising. The Maze Runner (series not first film) is about finding a cure for civilization.
<span>Hoped that Helped! :)</span>
Answer:
He is translating the meaning of his grandfather's house as he sees it, not how his family does.
<span>"In a basic sense, the term "Romanticism" has been used to refer to certain artists, poets, writers, musicians, as well as political, philosophical and social thinkers of the late 18th and early to mid 19th centuries. It has equally been used to refer to various artistic, intellectual, and social trends of that era. Despite this general usage of the term, a precise characterization and specific definition of Romanticism have been the subject of debate in the fields of intellectual history and literary history throughout the twentieth century, without any great measure of consensus emerging. Arthur Lovejoy attempted to demonstrate the difficulty of this problem in his seminal article "On The Discrimination of Romanticisms" in his Essays in the History of Ideas (1948); some scholars see romanticism as essentially continuous with the present, some see in it the inaugural moment of modernity, some see it as the beginning of a tradition of resistance to the Enlightenment— a Counter-Enlightenment— and still others place it firmly in the direct aftermath of the French Revolution. An earlier definition comes from Charles Baudelaire: "Romanticism is precisely situated neither in choice of subject nor exact truth, but in the way of feeling.</span>
