Makes passage more rleateable
This is not my answer but was helpful
Johnhrbek2 Virtuoso
I am going to Dussel.
(I am going to be Dussel)
Dearest Baloini,
I was just done taking a wonderful nap when my room mate walked in. Ugh, I thought little Anne was always complaining. She walked up to me and told me that she wanted to use the table in OUR room two afternoons a week! My reply to this was simply, "No."
The little brat was not content with my answer and so then I said," I have to study too you know, and if I can't do it in the afternoons, I won't be able to fit it in at all. I have to finish the task I've set for myself; otherwise, there's no point in starting. Besides, you aren't serious about your studies. Mythology - what kind of work is that? Reading and knitting don't count either. I use that table and I'm not going to give it up!
Then the girl replied (doesn't she ever give up?) " I do take my work seriously. I can't study next door in the afternoon, and I would appreciate it if you would reconsider my request!"
She finnally left but in the evening she went on again. I overcame her quick enough and I'm not going to tell you the conversation, it was VERY boring. Then just as I thought I had settled the matter, Pim talked to me too and in the end I had to let the brat have my study time.
Until next time, Dussel.
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To analyze why the poem corresponds to the genre of medieval romance we must go back to the time of the creation of the romanecero. The Romancero suggested, as it had done in the Golden Age, the imagination of the medievalizing poets of European and Hispanic Romanticism. During the 19th century the translations of these Spanish ballads to English, French and German were frequent. The romancero influenced some poems by Victor Hugo. In Austria Barbara Elisabeth Glück wrote a Romancero (1845) and in Germany Heinrich Heine imitated it with another Romanzero (1851).
The romance is a short epic-lyric poem intended for singing. It is Epic, because in romance it is narrated, something is told; Lyrical, because at the same time that story is impregnated with subjectivity (feelings, memories, dreams, etc.) of the poet and the story is then made singing.
But also in romances, as in the epic, often the Narration gives way to the word, to the discourse of the characters. The story is transformed into action, into drama. And so are these short poems integrated into Classical literary genres: the epic, the lyrical and the dramatic.