Answer:
A screen director does not relinquish control on opening night in the way that a stage director does. The director remains in control of pace, structure, builds and reactions as he or she works with the cinematographer and editor to stitch together a disparate collection of shots, score, sfx, cgi, audio, etc into a whole movie. The pauses, builds, responsiveness to an audience that actors read and manage on stage are the business of the director in a screen production. Once the actors have gone home there is still major work to do before it reaches the audience.
It’s shadows because it makes more sense
Realistic fog is what i found. im kinda iffy on it though. you should look more into it
