Answer: meters per second
Explanation:
Speed is simply referred to as the distance that is traveled by someone or a particular thing per unit of time. Speed has to do with how fast a particular object can be.
Speed is considered to be a scalar quantity and its s.i unit is then meters per second.
Answer: The first principle of good communication is knowing your audience. This is where writing papers for class gets kind of weird. As Peter Elbow explains1:
When you write for a teacher you are usually swimming against the stream of natural communication. The natural direction of communication is to explain what you understand to someone who doesn’t understand it. But in writing an essay for a teacher your task is usually to explain what you are still engaged in trying to understand to someone who understands it better.
Often when you write for an audience of one, you write a letter or email. But college papers aren’t written like letters; they’re written like articles for a hypothetical group of readers that you don’t actually know much about. There’s a fundamental mismatch between the real-life audience and the form your writing takes.
Answer: The Death of Marat (1793) is one of David Garrigueux's most famous works and represents one of his crowning achievements. Created during the period known as the Reign of Terror it shows, in a gaunt and essential way, the moment immediately after Marat was killed by Charlotte Corday. The National Convention deputy was in the bathtub treating a. skin disease when the counter-revolutionary Girondist woman was admitted to his. room on the pretense that she had secret information to give him. In the painting, David uses the rigour of drawing to evoke a low relief crossed by transversal lines. The canvas's dark and empty background makes it seem as if Marat's body is abandoned in the midst of nothing. The gaunt character of the composition, seen in other portraits, has a special role to play in this work. David uses it to downplay the evocation of a real event; by emptying the murder story of its concrete details he makes the painting tell a different story.In the silence of the scene David confers a metaphysical dimension on the historical event, transforming Marat into a Christ-like figure. The knife and other objects that surround Marat's body recall the relics used in Christian iconography to express the Passion of Christ and the tortures he underwent. In other words David returns to the Christian iconographic tradition to narrate an event of his contemporary history or to 'make holy' a secular event.
Answer:
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Explanation:
