Huey long is the major critic during the term of President Roosevelt when he advocated a series of polices under New Deal program and the purpose of this program was to combat depression.
Explanation:
Huey long was considered to be a major political threat to President Roosevelt and implementation of his policies.
Huey criticized that his policies simply taxed the rich and it had not done anything worth to the poor. Huey became governor of Louisiana and he intimidated many officials with his aggression and violence. With the help of his intimidation and threat, he succeeded in doing good to the people by laying roads and taking up the projects of huge factory constructions. Huey was also nick named to be the king fish and Roosevelt opined that he is a danger to America. Huey Long sought to violence to do good to the people.
He also allured the people of giving free education a personal home and a car as an election promise to the people which greatly attracted them. In this excerpt, Huey criticizes the National recovery administration(NRA) which is one of the prime policy of New deal programs advocated by Roosevelt to combat Economic depression. the terms of the NRA is so strict that people could not carry out a simple business of a shoe stand in America. This sis the major criticism raised by Huey long against Roosevelt' policies.
Answer:
<em>The KKK experienced a resurgence in the 1920s because of its strong ties with the political atmosphere of the 1920s, and its guise of protecting morals and its expanded vigilante justice services beyond the usual Anglo-Saxon Protestantism of blacks, Jews, Catholics and immigrants, etc, to those they now perceived as lawbreakers like illegal gin runners, unfaithful spouses, corrupt public office holders, etc. They also introduced paid "kleagles" which inspired membership by millions of people.</em>
Explanation:
<em>During the 1920s, KKK experienced a resurgence by blending of their extreme acts with common acts</em>. With this new methods of administration, they were able to get sponsorship and sympathy from the general white populace, and were no longer seen as masked extremists but rather as a community fraternity organisation. <em>To make them look like they were on the side of the law, the KKK got involved with local vigilante services, and prosecuted many bootleggers and corrupt politicians and even perceived cheating wives, inciting what would appear as a form of moral guidance</em>. However, with all these new reforms and methods, their lynching and persecution of minority groups still remained, and a series of feuds within its political circle led to its demise late in the 1920s
Answer:
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Explanation:
Break dancing, also called breaking and B-boying, energetic form of dance, fashioned and popularized by African Americans and U.S. Latinos, that includes stylized footwork and athletic moves such as back spins or head spins. Break dancing originated in New York City during the late 1960s and early ’70s, incorporating moves from a variety of sources, including martial arts and gymnastics.
Break dancing is largely improvisational, without “standard” moves or steps. The emphasis is on energy, movement, creativity, humour, and an element of danger. It is meant to convey the rough world of the city streets from which it is said to have sprung. It is also associated with a particular style of dress that includes baggy pants or sweat suits, baseball caps worn sideways or backward, and sneakers (required because of the dangerous nature of many of the moves).
The term break refers to the particular rhythms and sounds produced by deejays by mixing sounds from records to produce a continuous dancing beat. The technique was pioneered by DJ Kool Herc (Clive Campbell), a Jamaican deejay in New York who mixed the percussion breaks from two identical records. By playing the breaks repeatedly and switching from one record to the other, Kool Herc created what he called “cutting breaks.” During his live performances at New York dance clubs, Kool Herc would shout, “B-boys go down!”—the signal for dancers to perform the gymnastic moves that are the hallmark of break dancing.
In the 1980s breaking reached a greater audience when it was adopted by mainstream artists such as Michael Jackson. Jackson’s moonwalk—a step that involved sliding backward and lifting the soles of the feet so that he appeared to be gliding or floating—became a sensation among teens. Record producers, seeing the growing popularity of the genre, signed artists who could imitate the street style of the breakers while presenting a more-wholesome image that would appeal to mainstream audiences. Breaking had gone from a street phenomenon to one that was embraced by the wider culture. It is around this time that the term break dancing was invented by the media, which often conflated the repertoire of New York breakers with such concurrent West Coast moves as “popping” and “locking.” Those routines were popularized in the early 1970s by artists on television, including Charlie Robot, who appeared on the popular TV series Soul Train.
