In the first sentence, the word "want-ad" is an indirect object.
The other answers are:
- In the 2nd sentence, the word "advertisement" is the subject.
- In the 3rd sentence, the word "cooks" is an object of a preposition.
- In the 4th sentence, the word "Justin" is a nominative predicate.
- In the 5th sentence, the word "advertisement" is a direct object.
<h3>What is an Object?</h3>
This refers to the receiver of action in a sentence and is the direct opposite of a subject in a sentence.
Therefore, the given sentences have been properly identified above as some of them are indirect objects, some are subjects, some are objects of the proposition, some are nominative predicates, and the last one is a direct object.
Thus, the answers have been given above.
Read more about indirect objects here:
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Answer:
here
Explanation:
Floccinaucinihilipilification : the action or habit of estimating something as worthless. (The word is used chiefly as a curiosity.).
Honorificabilitudinitatibus is the dative and ablative plural of the medieval Latin word honorificabilitudinitas, which can be translated as "the state of being able to achieve honours". It is mentioned by the character Costard in Act V, Scene I of William Shakespeare's Love's Labour's Lost.
One of the biggest bugaboos in manuscript submissions is when the author doesn’t properly introduce the protagonist within the first chapter. Readers want to know quickly the protagonist’s, age and level of sophistication in the world of the story, and they want to relate to the character on an emotional level. Readers’ interest in the protagonist has to be earned, in other words.
If we like a character, then we want to see her do well and we’re willing to follow her around and invest our time and interest in rooting her on in her struggle. But it’s important we know some essentials about the character so we can get to like her. The trick is to avoid stand-alone description or exposition and to instead show your character in action.
The first poet to popularize the sonnet form is Francesco Petrarch, whose sonnets subsequently inspired Earl of Surrey, Shakespeare, Edmund Spencer, and many others to write sonnets.
