Answer:
The answer it's on the Explanation:
Explanation:
The origins of the great civilization known as the Byzantine Empire can be traced to 330 A.D., when the Roman emperor Constantine the Great dedicated a "new Rome" on the site of the ancient Greek colony of Byzantium. Though the western half of the Roman Empire fell in 476, the eastern half survived for 1,000 more years, spawning a rich tradition of art, literature and learning and serving as a military buffer between the states of Europe and the threat of invasion from Asia. The Byzantine Empire finally fell in 1453, after an Ottoman army stormed the Byzantine Empire during the reign of Constantine XI.
<span>The answer is a democracy. In Greek, demos means people, so democracy (or demo.kratia in Greek) means "rule by the people". This form of government dates from about 500 years B.C. when the Athenian leader Cleisthe.nes introduced it. This form of government comprised of three separate institutions: the ekk.lesia, the bou.le, and the d.ikasteria.</span>
The negative impacts of radiation on a country's economy may include :
- Increased rate of mortality
- Destruction of food crops and cattles
- Environmental contamination
- Long term health complications
Radiation has proven to be very useful in medicine, power, defense and other sectors if adequately deployed. However, it's negative impact can also be overwhelming.
Some of the negative impacts of radiation include :
- Radiation could cause death thousand to millions of people within minutes. Such could result from bomb attacks or release of toxic nuclear substances into the environment.
- The effect of radiation does not only pose risk to life, it could also lead to destruction of crops and cattles. Causing famine and unquantifiable losses.
- Nuclear radiation may be so deadly that it renders several Radius or perimeter of an environment inhabitable. Such is the situation of Hiroshima and Nagasaki.
- Nuclear radiation often poses the risk of terminal diseases such as cancer upon exposure .
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It slowly makes the ground softer making it easier for it to dissolve
France is the birthplace of cinema and was responsible for many of its significant contributions to the art form and the film-making process itself.[3] Several important cinematic movements, including the Nouvelle Vague, began in the country. It is noted for having a particularly strong film industry, due in part to protections afforded by the French government.[3]
Apart from its strong and innovative film tradition, France has also been a gathering spot for artists from across Europe and the world. For this reason, French cinema is sometimes intertwined with the cinema of foreign nations. Directors from nations such as Poland (Roman Polanski, Krzysztof Kieślowski, and Andrzej Żuławski), Argentina (Gaspar Noé and Edgardo Cozarinsky), Russia (Alexandre Alexeieff, Anatole Litvak), Austria (Michael Haneke), and Georgia (Géla Babluani, Otar Iosseliani) are prominent in the ranks of French cinema. Conversely, French directors have had prolific and influential careers in other countries, such as Luc Besson, Jacques Tourneur, or Francis Veber in the United States.
Another element supporting this fact is that Paris has the highest density of cinemas in the world, measured by the number of movie theaters per inhabitant,[4] and that in most "downtown Paris" movie theaters, foreign movies which would be secluded to "art houses" cinemas in other places are shown alongside "mainstream" works. Philippe Binant realized, on 2 February 2000, the first digital cinema projection in Europe, with the DLP CINEMA technology developed by Texas Instruments, in Paris.[5][6][7] Paris also boasts the Cité du cinéma, a major studio north of the city, and Disney Studio, a theme park devoted to the cinema and the third theme park near the city behind Disneyland and Parc Asterix.[8]
France is the most successful film industry in Europe in terms of number of films produced per annum, with a record-breaking 300 feature-length films produced in 2015.[9] France is also one of the few countries where non-American productions have the biggest share: American films only represented 44.9% of total admissions in 2014. This is largely due to the commercial strength of domestic productions, which accounted for 44,5% of admissions in 2014 (35.5% in 2015; 35.3% in 2016).[10] Also, the French film industry is closer to being entirely self-sufficient than any other country in Europe, recovering around 80–90% of costs from revenues generated in the domestic market alone.[11]
