Answer:
b) excited
Explanation:
If a character feels excited, it signifies that he is struggling to control the joy that he is feeling.
A friend of Caesar, Antony claims allegiance to Brutus and conspirators after Caesar's death in order to save his own life. Later, however, when speaking a funeral oration over Caesar's body, he spectacularly persuades the audience to withdraw its support of Brutus and instead condemn him as a traitor. With tears on his cheek and Caesar's will in his hand, Antony engages masterful rhetoric to stir the crowd to revolt against the conspirators. Antony's desire to exclude Lepidus from the power that Antony and Octavius intend to share hints at his own ambitious nature.
The correct answer is D) it does not use excess words.
<em>One way in which the poem “The Jelly-Fish” by Mariane Moore embodies Ezra Pound’s rules of imaginism is that the poem does not use excess words.
</em>
The imaginist movement uses the image as the basic driving force in a poem. The movement started in the 20th century and among its most important artists are Hilda Doolitle and Ezra Pound. The three rules of Imaginism are: 1) Direct treatment of the thing described; 2) Nlt to use any word that does not contrinute to the presentation; and 3) to compose in sequence with the musical phrase. This is about rhythm. So One way in which the poem “The Jelly-Fish” by Mariane Moore embodies Ezra Pound’s rules of imaginism is that the poem does not use excess words.
The other options of the question were, a) it does not use descriptive words, b) it has an exact meter, and c) it create several images.
wheel I looked it up in my book and it said a is the best answer
Answer:
Thanks to the word
that says thanks!
Thanks to thanks,
word
5. that melts
iron and snow!
The world is a threatening place
until
thanks
10. makes the rounds
from one pair of lips to another,
soft as a bright
feather
and sweet as a petal of sugar,
15. filling the mouth with its sound
or else a mumbled
whisper.
Life becomes human again:
it's no longer an open window.
20. A bit of brightness
strikes into the forest,
and we can sing again beneath the leaves.
Thanks, you're the medicine we take
to save us from
25. the bite of scorn.
Your light brightens the altar of harshness.
Or maybe
a tapestry
known
30. to far distant peoples.
Travelers
fan out
into the wilds,
and in that jungle
35 of strangers,
mercio
rings out
while the hustling train
changes countries,
40. sweeping away borders,
then spasiboo
clinging to pointy
volcanoes, to fire and freezing cold,
or danke,o yes! and gracias,o and
45. the world turns into a table:
