I think Max's arrogance is what bothers Miriam. So the answer should be D. Let me know if this is correct!
Best of luck.
My mother, whom I love dearly, came to my show and cheered for me.
Answer:
Best Response to the excerpt will be: Option C: Dean Kamen writes in an informal and entertaining style. He gives examples of his creative problem-solving.
Explanation:
While responding to any excerpt or a piece of writing, one should keep in mind that the response is clear enough to be understood by the reader. It should also be concise or brief and have relevant information.
In the given excerpt, Dean Kamen explains how he overcame the problem of putting entire machine shop in his basement. He explains how he solved this problem and was as successful as well.
His writing is informal and entertaining. He shows his creativity in solving the problem he faced. Thus, Option C would be the best response.
Answer:
It takes courage to be a follower of Jesus in our current times because it may prevent you from making friends; no one wants to be alone in the world. Another reason is that being a Christian can cause the people around you to make fun of you and exclude you from groups, social gatherings, etc. Additionally, being a Jesus follower may even keep you from getting a job. While it can be intimidating, following Jesus is the best thing you can do. Due to many reasons such as becoming a public outcast, it will take courage to openly follow Him.
The las two lines of Shakespeare sonnets can be described according to this three statements:
-They are referred to as a couplet: two consecutve rhyming lines.
-They rhyme with each other (though this is not always the case).
-They change the sonnet´s rhythmic pattern: a Shakespearean sonnet has 14 lines. The first 12 are divided into 3 quatrains, of 4 lines each were the topic and problem are established. The rhyme scheme is abab cdcd efef. This is solved in the last two lines, where the rhyming scheme is gg.
For example:
When I / do COUNT / the CLOCK / that TELLS / the TIME (Sonnet 12)
When IN / dis GRACE / with FOR / tune AND / men's EYES
I ALL / a LONE / be WEEP / my OUT/ cast STATE (Sonnet 29)
Shall I / com PARE/ thee TO / a SUM / mer's DAY?
Thou ART / more LOVE / ly AND / more TEM / per ATE (Sonnet 18)