Answer: to be honest, a movie called Padmaavat
Explanation: Although most Bhansali movies are aesthetically pleasing, especially Padmaavat, the way that he writes his characters in this movie are a bit off. Especially in the movie Padmaavat, he writes the character Alauddin Khilji in a more barbaric way, although in real life he was a mild mannered person, and the character Ratan Singh as a calm and collected man. So it seems like as if Bhansali is making Alauddin to be a rogue and barbaric Muslim king and Ratan the righteous and heroic Hindu king. Bhansali also shuts out the fact that Alauddin may have been in a relationship with his slave general Malik Kaufur, and that Alauddin might have even been bi or gay, but in the movie, you see no example of them even being close in a romantic way. So, what I would change is Alauddin’s character, and make him a more proper and calm character and reprsent Alauddin and Malik’s relationship. With the character Padmavati, I feel like that they represented her in a different light. I feel that they didn’t really represent her Sinhalese heritage. Also in the Ghoomar scene, a Rajput queen would probably never dance in front of anyone, they would be watching other dancers. Also the top Deepika wore showed her bosom, which Rajput queens would never show. So, I would try to positively change all the factors I just stated in this paragraph and hope that Sanjay Leela Bhansali will continue to create more beautiful movies.
Answer:
In the 1950s and 1960s, young Americans had more disposable income and enjoyed greater material comfort than their forebears, which allowed them to devote more time and money to leisure activities and the consumption of popular culture.
Explanation:
Rock and roll, a new style of music that drew inspiration from African American blues music.
A slow tempo dignified in style
Holes cut in the stone of the wall and filled with stained glass are called plate tracery, elaborated based on stone blocks or "plates" that are part of the muraría structure, in order to create a perforated pattern. It arises at the end of the XII century and the beginning of the XIII, before the need to add a decorative motif that would not leave bare the ashlar area that was free when two or more lancets were placed next to each other under an arched drip molding.
