Answer:
test me, glued, training wheels, bombs on monday, play date, lunchbox friends, copycat, fire drill, and recess
Explanation:
because yes
Collectors and museums have a responsibility to return these artifacts to their country of origin if the artifacts were stolen through acts like colonization. Take Ancient Egypt, for example. British archaeologists and historians excavated the tombs of Pharaohs, completely ignoring that in Egyptian culture, the Pharaohs needed those artifacts the archaeologists extracted to safely travel to the afterlife. Taking these artifacts and bringing them back to Britain is detrimental to Egypt's history and culture, effectively stealing their heritage from them. But, museums also have a responsibility to spread easy access to history all across the world. They can do this, but with replicas of the artifacts instead of originals. This allows Egypt to keep its heritage in its own Pyramids and museums, while still being able to share that history with the world.
The answer is mannerism. El Greco endeavored to express religious feeling with overstated characteristics. After the practical delineation of the human shape and the dominance of point of view accomplished in high Renaissance Classicism, a few specialists began to purposely twist extents in disconnected, silly space for enthusiastic and masterful impact. El Greco still is a profoundly unique craftsman. El Greco has been portrayed by current researchers as a craftsman so person that he has a place with no ordinary school. Enter parts of Mannerism in El Greco incorporate the shaking "corrosive" palette, lengthened and tormented life structures, unreasonable point of view and light, and dark and upsetting iconography.
