The Answer is A. Railroad owners sold stock to investors to finance the construction of railroads
There's many answers for this question, as long as it's a similar word to disbelief. President Roosevelt's reaction was pretty much thinking, "This is unbelievable." So therefore, you can put disbelief or distrust.
Answer:
The First Battle of Bull Run, also known as the Battle of Manassas, marked the first major land battle of the American Civil War. ... The engagement began when about 35,000 Union troops marched from the federal capital in Washington, D.C. to strike a Confederate force of 20,000 along a small river known as Bull Run.The South wanted to just keep pushing through the war until the idea of war became unpopular in the North and gave up. What did both sides learn from the Battle of Bull Run? Both sides learned that the war was going to be long and bloody and that their soldiers needed training.
Explanation:
Answer: “Birth of a Nation”—D. W. Griffith’s disgustingly racist yet titanically original 1915 feature—back to the fore. The movie, set mainly in a South Carolina town before and after the Civil War, depicts slavery in a halcyon light, presents blacks as good for little but subservient labor, and shows them, during Reconstruction, to have been goaded by the Radical Republicans into asserting an abusive dominion over Southern whites. It depicts freedmen as interested, above all, in intermarriage, indulging in legally sanctioned excess and vengeful violence mainly to coerce white women into sexual relations. It shows Southern whites forming the Ku Klux Klan to defend themselves against such abominations and to spur the “Aryan” cause overall. The movie asserts that the white-sheet-clad death squad served justice summarily and that, by denying blacks the right to vote and keeping them generally apart and subordinate, it restored order and civilization to the South.
“Birth of a Nation,” which runs more than three hours, was sold as a sensation and became one; it was shown at gala screenings, with expensive tickets. It was also the subject of protest by civil-rights organizations and critiques by clergymen and editorialists, and for good reason: “Birth of a Nation” proved horrifically effective at sparking violence against blacks in many cities. Given these circumstances, it’s hard to understand why Griffith’s film merits anything but a place in the dustbin of history, as an abomination worthy solely of autopsy in the study of social and aesthetic pathology.
